Suzuki Recorder School (Alto Recorder) Accompaniment, Volume 1 (International) Cover Image

Suzuki Recorder School (Alto Recorder) Accompaniment, Volume 1 (International): Recorder Book

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Suzuki Recorder School (Alto Recorder) Accompaniment, Volume 1 (International) Cover Image

Suzuki Recorder School (Alto Recorder) Accompaniment, Volume 1 (International): Recorder Book

Item: 00-0549

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Description
The charming recorder repertoire in the Suzuki Recorder School has been carefully selected by Katherine White, in accordance with the principles and guidelines of Dr. Suzuki's philosophy. Volume 1 includes international folk tunes and music by Mozart and Kodaly.

Titles: One Bird, Variation A (Based on a Kodály Theme) * One Bird, Variation B (Based on a Kodály Theme) * Now We Sing (K. White) * Mary Had a Little Lamb (Folk Song) * Suo Gan (Folk Song) * Daddy Long Legs (Kodály Melody) * One Bird, Variation C (Based on a Kodály Theme) * Cuckoo (Folk Song) * French Children's Song (Folk Song) * The Finch (Based on a Kodály Theme) * Mary Had a Little Lamb (C Major) (Folk Song) * Clair de Lune (J. B. Lully) * The Honeybee (Folk Song) * Twinkle, Twinkle, Little Star: Theme (Folk Song) * Twinkle, Twinkle, Little Star: Variation (Shinichi Suzuki) * Go Tell Aunt Rhody (Folk Song) * One Bird, Variation D (Based on a Kodály Theme) * The Best of Times (Folk Song) * Allegro (Shinichi Suzuki) * Clouds (Folk Song) * Goodbye to Winter (Folk Song) * Clown Dance (Folk Song) * Swedish Dance (Folk Song) * A Tiny Forest Bird (Folk Song) * My Little Boat (Folk Song) * The Turtle Dove (Folk Song) * Hungarian Dance (Folk Song) * Hansel and Gretel (Folk Song) * Dream, Children, Dream (Folk Song) * Little Man in the Woods (Folk Song) * Are You Sleeping? (Folk Song) * Two Kings' Children (Folk Song) * Come Lovely May (W. A. Mozart) * Tonalization * Fingering Chart.

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Additional Details
Series: Suzuki Recorder School
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-87487-549-8
ISBN13: 978-0-87487-549-2
UPC: 029156271409
SKU: 00-0549

More about this title

About the Creator: Katherine White

Katherine White selected and curated the recorder repertoire for the Suzuki Recorder School with careful attention to Dr. Suzuki's educational philosophy. Her choices reflect a deep understanding of how young recorders progress from foundational pieces through folk melodies to classical works, creating a learning sequence that builds both technical facility and musical confidence.

The collection draws on the pedagogical wisdom of Zoltan Kodály, whose folk-based approach to music education emphasized the cultural and musical value of simple melodies. By anchoring Volume 1 in international folk songs and accessible classical works, the repertoire honors Suzuki's belief that music education develops character through meaningful listening and careful, sequential learning.

Why we love this

This accompaniment book transforms solo recorder practice into genuine musical dialogue. Rather than working through exercises in isolation, students hear their melodies sit within a fuller harmonic and rhythmic context, which deepens intonation awareness, phrasing understanding, and overall musicality from the very first pages.

What to expect

Warm and approachable, with melodies that feel instantly recognizable. The progression from gentle folk tunes to slightly more rhythmically complex pieces creates a sense of gradual discovery, where each new selection feels like a natural extension of what came before rather than a leap in difficulty.

Who it's for

Young alto recorder students working through the Suzuki Recorder School Volume 1 curriculum. Teachers and parents leading Suzuki instruction will use this accompaniment to enrich lessons and home practice, creating opportunities for students to experience their playing within a musical ensemble setting.

How to get the most out of it

  • Start with the accompaniment playing softly so the recorder melody remains the clear musical focus; the accompaniment serves the student's learning, not the reverse.
  • Use sections of the accompaniment during practice sessions where the student plays solo lines, particularly the Kodály variations where harmonic support helps clarify melodic contour.
  • Engage the accompaniment during ensemble playing opportunities; even beginning recorder students benefit from the rhythmic security and tonal reinforcement that comes from playing with other instruments.
  • Return to familiar pieces like 'Mary Had a Little Lamb' and 'Twinkle, Twinkle, Little Star' with accompaniment after students have learned them unaccompanied, reinforcing how musical context enriches familiar melodies.

How to use it

Accompaniment support strengthens the Suzuki method's core practice, where repertoire itself builds skills across technique, listening, and musical understanding. In group classes or ensemble rehearsals, rotating through these pieces with accompaniment helps younger students hear how individual melodies contribute to larger musical textures.

Skills your students will build

  • Intonation awareness through harmonic context
  • Phrasing in response to accompaniment rhythm and harmony
  • Rhythmic precision and ensemble coordination
  • Listening to multiple melodic and harmonic lines simultaneously
  • Musical interpretation within a fuller orchestration

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