Suzuki Piano School New International Edition, Volume 4 (Perf. Seizo Azuma) Cover Image

Suzuki Piano School New International Edition, Volume 4 (Perf. Seizo Azuma): Digital Audio Download

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Suzuki Piano School New International Edition, Volume 4 (Perf. Seizo Azuma) Cover Image

Suzuki Piano School New International Edition, Volume 4 (Perf. Seizo Azuma): Digital Audio Download

Perf. Seizo Azuma

Item: 00-AA-0000134

$16.99
Digital Download
Description

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Sample Pages

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Sample Audio
1 01 Divertimento No 17 in D Major K 334 - VI Rondo Arr for Piano --:--
2 02 8 Minuets K 315a - No 5 in C Major --:--
3 03 25 E tudes faciles et progressives Op 100 - No 2 Arabesque --:--

01 Divertimento No 17 in D Major K 334 - VI Rondo Arr for Piano

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Sample Video
Additional Details
Series: Suzuki Piano School
Publisher: Alfred Music
SKU: 00-AA-0000134

More about this title

About the Creator: Seizo Azuma

Seizo Azuma is a pianist and Suzuki pedagogue who brings decades of performance and teaching experience to the Suzuki Piano School recordings. His interpretations of the standard Suzuki repertoire have become touchstones for students and teachers worldwide, offering clarity and musicality that illuminate the pedagogical intent behind each piece.

Azuma's performances capture the spirit of Shinichi Suzuki's vision: that technical development and musical growth happen together through listening and imitation. His recordings serve as the aural model that students internalize as they learn each piece.

Why we love this

Volume 4 marks a genuine shift in the Suzuki repertoire, introducing pieces that demand expressive maturity alongside technical growth. Azuma's recorded interpretations set the standard that students aspire to match, making this digital download an essential teaching tool for any studio working through this level. The collection balances baroque counterpoint, classical structure, and character pieces in ways that keep students engaged while building real musicianship.

What to expect

Volume 4 opens doors to deeper musical expression. The pieces move beyond simple melodic studies into works with character, counterpoint, and expressive range that begin to reveal the emotional possibilities of the piano. Azuma's playing balances technical clarity with genuine musicality, making each piece feel intentional and complete rather than merely executed.

Who it's for

Piano students working through Volume 4 of the Suzuki Piano School repertoire, as well as their teachers who need a high-quality reference recording for daily instruction. Parents supporting home practice benefit from having the same model available for encouragement and listening guidance between lessons.

How to get the most out of it

  • Listen to Azuma's recording daily during the learning process. The Suzuki method builds on aural memory, so frequent exposure shapes how students internalize phrasing, tempo, and expressive choices before they encounter technical challenges.
  • Reference the recording when teaching articulation and pedaling choices. Azuma's clarity in these areas provides concrete models that students can imitate and eventually internalize as their own interpretive instincts develop.
  • Use the recording to establish accurate tempos for each piece. Students often rush unfamiliar material, so hearing the intended pace from a reliable source prevents bad habits from forming early in the learning process.

How to use it

Download this recording at the start of Volume 4 study and make it part of your student's regular listening routine. Whether students review it during warm-up, listen between lessons, or study it before tackling a new piece, having access to the gold-standard interpretation supports learning and prevents the common problem of students creating their own interpretations based on incomplete understanding of the music.

Skills your students will build

  • Reading and performing music with varied tempos and meters
  • Sustaining musical lines across phrase boundaries
  • Coordination of articulation patterns between hands
  • Using pedal as an expressive tool, not just a volume control
  • Recognizing and executing stylistic differences across baroque, classical, and character repertoire
  • Building listening discrimination between adequate technique and musical interpretation

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