Suzuki Piano School International Edition CD, Volume 2 Cover Image

Suzuki Piano School International Edition CD, Volume 2: Piano CD

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Suzuki Piano School International Edition CD, Volume 2 Cover Image

Suzuki Piano School International Edition CD, Volume 2: Piano CD

Perf. Seizo Azuma

Item: 00-30033

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Description
The newly recorded CD for the New International Edition of Suzuki Piano School, Volume 2 is performed by internationally renowned recording artist Seizo Azuma and includes new Romantic and 20th-Century pieces. Now the book and CD can be purchased together or separately. Titles: Écossaise (Hummel) * A Short Story (Lichner) * The Happy Farmer, from Album for the Young, Op. 68, No. 10 (Schumann) * Minuet in G Major, BWV 822 (Bach) * Minuet in G Major, from Bach's Notebook for Anna Magdalena Bach (Anonymous) * Minuet in G Minor, BWV 822 (Bach) * Cradle Song, Op. 13, No. 2 (von Weber) * Arietta (Mozart) * Hungarian Folk Song, from For Children, Sz. 42 (Bartók) * Melody, from Album for the Young, Op. 68, No. 1 (Schumann) * Minuet in G Major, from Bach's Notebook for Anna Magdalena Bach (Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance) (Beethoven) * Children at Play, from For Children, Sz. 42 (Bartók).

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Additional Details
Series: Suzuki Piano School
Publisher: Alfred Music
ISBN10: 0-7390-5167-9
ISBN13: 978-0-7390-5167-2
UPC: 038081325958
SKU: 00-30033

More about this title

About the Artist: Seizo Azuma

Seizo Azuma is an internationally recognized recording artist whose interpretations of the Suzuki repertoire have shaped how generations of young pianists hear these foundational works. His recordings for the Suzuki method bring clarity, musicality, and pedagogical insight to each piece, demonstrating the artistic potential within repertoire designed for early learners.

Azuma's approach to the Suzuki library balances technical precision with expressive depth, offering students a model of musical maturity they can aspire toward as their own playing develops.

Why we love this

Azuma's recordings capture the full character of each piece with warmth and clarity, giving students an authentic reference performance they can return to repeatedly without wearing out the listening experience. The newly recorded selections balance familiar Bach and Mozart with underrepresented Romantic and 20th-century voices, expanding students' exposure beyond the early Classical core.

What to expect

This collection moves through intimacy and gentle storytelling, from Bach's measured counterpoint to Schumann's songlike melodies to Bartók's folk-inspired sparkle. Azuma's playing feels unhurried and attentive, inviting the listener into the architecture of each piece rather than racing past it.

Who it's for

Students working through Suzuki Piano School Volume 2 need reliable, musically mature reference recordings to internalize sound quality and interpretive choices. Teachers guiding students through this volume benefit from having consistent, professionally recorded examples that model not just note accuracy but also phrasing, tone production, and stylistic awareness across multiple compositional periods.

How to get the most out of it

  • Listen to Azuma's phrasing in the Schumann selections to hear how he shapes lyrical lines without sacrificing clarity; these recordings model what mature Romantic interpretation sounds like at this level.
  • Use the Hungarian Folk Song and Children at Play recordings to absorb the character and articulation of Bartók's writing; his pieces have distinct color that benefits from repeated listening before performance.
  • Pay attention to Azuma's tempo choices across the minuets and sonatina movements to understand how rubato and breathing enhance period style without distorting form.
  • Return to the Cradle Song and Arietta recordings when working on voicing and pedal; Azuma demonstrates how even elementary-level pieces benefit from sensitive accompaniment voices.

How to use it

Use these recordings in studio lessons as reference materials when a student needs to hear a piece performed with maturity before attempting it themselves. At recitals or studio performance days, playing the recording before a student's performance helps audiences understand the piece's character and shows listeners what the student is working toward.

Skills your students will build

  • Listening to and internalizing phrasing across Baroque, Classical, Romantic, and 20th-century styles
  • Identifying appropriate tempo, dynamics, and articulation choices within each compositional period
  • Developing aural memory for piece structure and form
  • Understanding tone quality and pedal usage in accompaniment and melodic contexts

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