Suzuki Harp School CD, Volume 1 Cover Image

Suzuki Harp School CD, Volume 1: Harp CD

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Suzuki Harp School CD, Volume 1 Cover Image

Suzuki Harp School CD, Volume 1: Harp CD

Performed by Mary Kay Waddington

Item: 00-0287

$15.99
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Description
Titles: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * Lavender's Blue * Lightly Row * The Honeybee * Mary Had a Little Lamb * Crickets' Song (M. K. Waddington) * Lightly Row * London Bridge * Go Tell Aunt Rhody * Silent Night (F. Gruber) * Long, Long Ago (T. H. Bayly) * Little Playmates (F. X. Chwatal) * Chant Arabe * Good-bye to Winter * The Good Little King of Yvetot * Andante (M. K. Waddington) * Christmas-Day Secrets (T. Dutton) * Allegro (Shinichi Suzuki) * Musette * Gigue (M. K. Waddington). Performed by Mary Kay Waddington.

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Twinkle, Twinkle Little Star Variations

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Additional Details
Series: Suzuki Harp School
Publisher: Alfred Music
Page Count: 1
ISBN10: 0-87487-287-1
ISBN13: 978-0-87487-287-3
UPC: 654979003168
SKU: 00-0287

More about this title

About the Artist: Mary Kay Waddington

Mary Kay Waddington is a harpist and educator who has shaped the Suzuki harp method through her arrangements and performances. Her work demonstrates deep understanding of how young harpists develop technique and musicality, grounding every piece in pedagogical clarity without sacrificing artistic integrity.

Why we love this

This recording captures the Suzuki harp repertoire with clarity and warmth, giving students a reliable model for intonation, phrasing, and tone quality. Waddington's interpretations honor the simplicity of each piece while maintaining musical integrity, making it an essential listening reference alongside practice.

What to expect

The pieces flow from simple folk melodies into gently more elaborate arrangements, creating a journey that feels both familiar and exploratory. Waddington's harp tone is warm and centered, never forcing the instrument but letting its natural resonance emerge.

Who it's for

Suzuki harp students working through Volume 1 repertoire who need an aural reference for tone, phrasing, and style. Teachers use this recording to demonstrate how each piece should sound at its best, setting a standard for student performance.

How to get the most out of it

  • Listen for how Waddington shapes phrases in the simpler pieces; notice where she breathes and where the line sustains through chord changes.
  • Pay attention to her pedal changes on pieces like Musette and Gigue; hearing the exact moment of the change helps students understand timing in their own playing.
  • Use the variations on Twinkle, Twinkle, Little Star as a model for how the same melody can be treated with different textures and accompaniment patterns.

How to use it

Play selections from this recording in recital programs alongside student performances, or use it as a model recording in studio lessons when students need to hear polished versions of the pieces they're learning. The variety of styles and moods makes it suitable for young harp ensemble concerts or school assemblies introducing harp to general audiences.

Skills your students will build

  • Listening for accurate intonation in harp tuning
  • Understanding phrasing and breath patterns appropriate to melodic shape
  • Recognizing pedal change timing and technique
  • Developing tone production through aural modeling
  • Interpreting variations on familiar melodies

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