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Suzuki Flute School Flute Part & Online Audio, Volume 2: Flute Book & Online Media

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Suzuki Flute School Flute Part & Online Audio, Volume 2 Cover Image

Suzuki Flute School Flute Part & Online Audio, Volume 2: Flute Book & Online Media

International Edition

Performed by Lorna McGhee and Heng-Jin Park

Item: 00-52417

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Description
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Titles: Minuet from Orfée et Eurydice (Gluck) * Theme from Sonata in B Major for Piano and Flute, Anh. 4 (Beethoven) * Minuet, BWV Anh. II 115 (Bach) * March, BWV Anh. II 122 (Bach) * Minuet from Orchestra Suite in B Minor, BWV 1067 (Bach) * The Last Rose of Summer (Irish Air) * Theme from Melancholic Fantasy (Reichert) * Allegretto from Carnaval de Venice (Genin) * Minuet (Telemann) * Gavotte (Bach) * Polonaise (Bach) * On Wings of Song from Six Songs, Op. 34, No. 2 (Mendelssohn). This title is available in MakeMusic Cloud.

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Additional Details
Series: Suzuki Flute School
Publisher: Alfred Music
Page Count: 28
ISBN10: 1-4706-8262-1
ISBN13: 978-1-4706-8262-0
UPC: 038081607382
SKU: 00-52417

More about this title

About the Creator: Shinichi Suzuki

Dr. Shinichi Suzuki (1898-1998) revolutionized music education by rejecting the notion that talent is inborn and fixed. Instead, he developed a comprehensive pedagogical philosophy grounded in the belief that every child possesses potential that can be cultivated through the right environment, instruction, and parental involvement. His "mother-tongue" approach treats learning music the way children naturally acquire language: through listening, imitation, repetition, and social reinforcement rather than formal theory.

The Suzuki Method emphasizes character development alongside musical growth. Students learn through carefully sequenced repertoire that builds technical facility while maintaining musical integrity. The method's global reach and proven success across millions of students has made it one of the most influential music education approaches of the twentieth century.

Why we love this

Volume 2 strikes an ideal balance between maintaining student engagement and expanding technical range. The repertoire spans multiple musical periods and styles, from Baroque dance forms to Romantic art songs, giving young flutists genuine musical variety while the progression ensures each piece builds logically on the previous one. The inclusion of online audio provides the essential listening models that anchor the mother-tongue approach.

What to expect

This collection moves between the elegant restraint of Baroque miniatures and the gentle lyricism of Romantic melody. Each piece feels purposeful and complete despite its modest length, inviting students to experience the satisfaction of playing actual music rather than exercises. The progression from familiar dance forms to less commonly heard gems creates a sense of discovery alongside technical growth.

Who it's for

Students progressing through the Suzuki Flute curriculum who have completed Volume 1 and are ready to expand their technical vocabulary and musical expression. Teachers using the Suzuki method will recognize these pieces as the essential stepping stones that prepare young flutists for the more substantial works in later volumes.

How to get the most out of it

  • Listen to the accompaniment track repeatedly before playing so the harmonic and rhythmic context becomes internalized; this mirrors how the method develops musicality through repeated exposure.
  • Shape phrases according to the natural contours of the melodic line rather than stopping at barlines, especially in the Baroque minuets where phrase architecture drives expression.
  • Pay attention to the character suggested by each piece's origin (dance forms versus vocal songs) and adjust articulation and tone quality accordingly.
  • Practice with the recorded accompaniment at performance tempo from the beginning rather than saving it for final preparation; this keeps intonation and rhythmic accuracy centered on the actual musical context.

How to use it

Student recitals drawn from Volume 2 showcase genuine repertoire that audiences recognize and enjoy while demonstrating clear technical advancement. Pairing pieces from different eras within a single recital programs offers context for how musical style and technical demands evolved. These works also provide ideal material for studio performances or informal school assemblies where young performers benefit from playing before audiences.

Skills your students will build

  • Expanding range through sustained passage work in the mid-to-upper register
  • Articulation clarity across staccato, legato, and dance-rhythm figures
  • Phrasing and breathing in vocal-inspired melodic lines
  • Intonation stability across different harmonic contexts provided by accompaniment
  • Rhythmic precision in dance forms with varied metric and stylistic demands
  • Tone quality and dynamic control needed to express character across multiple musical periods

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