Süsser die Glocken nie klingen Cover Image

Süsser die Glocken nie klingen: 4 Saxophones SATBar/AATBar & Opt. Guitar, Piano, Bass & Percussion Conductor Score & Parts

$26.95 USD
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Süsser die Glocken nie klingen Cover Image

Süsser die Glocken nie klingen: 4 Saxophones SATBar/AATBar & Opt. Guitar, Piano, Bass & Percussion Conductor Score & Parts

Traditional / arr. Frank Reinshagen

Item: 01-ADV7650

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Description
The Christmas carol, "Sweeter the Bells Never Sound," dates back to the 1850s, now arranged in a medium jazz waltz for four saxophones (SATBar/AATBar), and optional rhythm section of guitar, piano, bass, and percussion by Frank Reinshagen.

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Additional Details
Series: Advance Music: Holiday Celebration Series
Publisher: Advance Music
UPC: 805095076509
SKU: 01-ADV7650
Instrumentation: 4 Saxophones SATBar/AATBar & Opt. Guitar, Piano, Bass & Percussion

More about this title

Why we love this

Reinshagen's arrangement transforms a 19th-century hymn into a stylish medium-tempo jazz waltz that respects the carol's melodic integrity while giving saxophonists genuine musical interest across all four voices. The optional rhythm section makes this flexible enough for small saxophone ensembles or larger jazz combos, and the straightforward swing feel keeps rehearsals focused on blend and phrasing rather than technical gymnastics.

What to expect

Warm and flowing, with the gentle lilt of a waltz carrying the carol's familiar melody into modern swing territory. The arrangement feels intimate even when the rhythm section joins in, balancing nostalgia with contemporary jazz sophistication.

Who it's for

Saxophone quartets with intermediate to advanced facility in jazz idioms, community bands with saxophone sections looking for a small-ensemble feature, and jazz combos wanting a seasonal piece that doesn't resort to pure novelty. This works equally well for a winter concert or a casual holiday performance.

How to get the most out of it

  • Balance the melody clearly between soprano and alto voices while letting the tenor and baritone saxophones lock together as a harmonic foundation. The carol's shape depends on hearing the tune rise above the voicing.
  • If adding rhythm section, establish the jazz waltz feel in 3/4 with the piano and bass before the saxophones enter. This grounds the arrangement's swing without the front line overplaying.
  • Shape the phrasing in four-bar and eight-bar units to honor the carol's hymnal roots; avoid clipping phrases short just because it's jazz. The waltz meter gives you space to breathe between lines.
  • Record a pass with just the four saxophones to hear how the inner voices sit. Once that balance is locked, layering in optional instruments becomes much easier.

How to use it

Use this as a contrast piece in a winter concert, placing it between a more energetic jazz number and a classical or choral selection. It also sits nicely as an opener or closer because the hymn's cultural familiarity draws listeners in without demanding intense concentration.

Skills your students will build

  • Reading jazz chord voicings and understanding four-part saxophone harmony
  • Playing with expression in 3/4 time and feeling jazz swing in a waltz meter
  • Balancing melody and accompaniment roles within a small ensemble
  • Interpreting dynamic shaping and phrasing in a swing style while maintaining the carol's character
  • Coordinating with optional rhythm section players if guitar, piano, bass, and percussion are added

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