Susan Morgan Sheet Music Preview

Susan Morgan: Piano/Vocal

Words and music by Eddie Perfect

Item: 00-PS-0016160

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Description
From Eddie Perfect's Songs from the Middle, a song cycle inspired by his childhood in Mentone, Victoria, Australia.

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SKU: 00-PS-0016160

More about this title

About the Composer: Eddie Perfect

Eddie Perfect is an Australian composer, pianist, and musical theatre writer known for creating music that draws deeply from personal narrative and place. His work spans theatre, film, and song cycles, often exploring the emotional landscape of everyday life through pop and rock influenced compositions that feel both contemporary and timeless.

Why we love this

This song sits within a richly detailed song cycle that invites pianists into the specificity of Perfect's childhood geography. The pop/rock idiom feels natural and singable from the piano, making it accessible for intermediate players while offering genuine emotional depth that resonates beyond the virtuosity.

What to expect

The song carries the specificity of a personal memory rendered in clear, direct musical language. There's an intimacy in the writing that invites both performer and listener into a particular moment, grounded in melody and harmony that feel conversational rather than grand.

Who it's for

This piece suits intermediate to advanced pianists who can sing or work with a vocalist, as well as music theatre students building contemporary repertoire. It works equally well in recital settings, classroom performance contexts, or rehearsal studios exploring modern Australian songwriting.

How to get the most out of it

  • Let the vocal melody breathe over the piano accompaniment rather than rushing the harmonic progression; the song's emotional weight depends on space between phrases.
  • Study the original recording to absorb Perfect's phrasing and rhythmic sensibility, which often sits slightly behind the beat in a way that's characteristic of contemporary pop-influenced writing.
  • Balance clarity in the piano part with support for the vocal line; this is accompaniment work, so resist the temptation to overstate rhythmic figures in the left hand.
  • Pay attention to dynamic shape across full verses and choruses rather than measuring expression in single phrases; the song's arc builds gradually.

How to use it

Pair this with other songs from the cycle to create a thematic program exploring narrative and place, or use it as a contemporary anchor in a recital mixing genres and eras. It also works well in school settings where students are learning to accompany singers or exploring non-classical repertoire.

Skills your students will build

  • Accompanying a vocal line with stylistic awareness and rhythmic flexibility
  • Interpreting pop/rock harmony in classical notation
  • Balancing independent melodic and accompaniment textures
  • Sustaining emotional narrative across a complete song form

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