Surfin' Santa: String Orchestra Conductor Score & Parts
By Heather Hoefle
Grade: 2
Item: 98-PK-RWS2581
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Surfin' Santa: Score | $10.00 | |
| Surfin' Santa: 1st Violin | $5.99 | |
| Surfin' Santa: 2nd Violin | $5.99 | |
| Surfin' Santa: 3rd Violin (Viola T.C.) | $5.99 | |
| Surfin' Santa: Viola | $5.99 | |
| Surfin' Santa: Cello | $5.99 | |
| Surfin' Santa: Double Bass | $5.99 | |
| Surfin' Santa: 1st Percussion | $5.99 | |
| Surfin' Santa: 2nd Percussion | $5.99 | |
| Surfin' Santa: Optional Piano Accompaniment | $5.99 |
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Description
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More about this title
Why we love this
Hoefle nails the balance between accessibility and genuine fun; the Grade 2 voicing gives every section real material to play without sacrificing the surf rock groove that makes this piece memorable. The bass line and drum break are natural focal points that keep students engaged and give you a clear launching pad for rehearsal focus.
What to expect
Imagine Santa trading his sleigh for a surfboard and catching waves in December. The piece crackles with upbeat rock energy, propelled by a walking bass line and punctuated by a classic drum break that breaks up the texture. It's joyful, tongue-in-cheek, and impossible to sit still through.
Who it's for
String orchestras at the Grade 2 level looking to program something fresh and festive without relying on traditional holiday repertoire. Directors who want their winter concert to surprise audiences and give students a high-energy, rhythmically engaging piece that doesn't feel like a stretch technically.
How to get the most out of it
- Lock the rhythm section (bass and percussion) first. Once that foundation sits solid, the melody and harmonic parts will fall into place around it.
- Emphasize articulation in the surf rock rhythm figures to capture the driving, beach-day energy. Light and crisp bouncing feels better than heavy.
- Balance the melody against the supporting voices; the catchy line should cut through without the accompaniment receding into the background entirely.
How to use it
Place this mid-program or near the end of your holiday concert to shift the mood and reset audience energy. It pairs well with a mix of traditional carols and contemporary holiday pops, and works especially effectively as a palette cleanser between slower pieces.
Skills your students will build
- Playing with a steady rock-based groove and subdivisions
- Maintaining rhythmic independence from melody lines
- Articulation and phrasing in contemporary pop idioms
- Balance and blend in an arrangement with active bass and accompaniment figures