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Superstart Cello: Piano & Cello Instrumental Parts

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Superstart Cello: Piano & Cello Instrumental Parts

By Mary Cohen and Robert Spearing

Level: Elementary

Item: 12-0571524435

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Description
Superstart is a breakthrough for beginner cellists, full of exciting music and fun activities from the very first lesson to inspire and stimulate students and teachers. Mary Cohen is a leading and well respected string teacher and this new edition is a distillation of her many years of teaching and research - a core method now in one book.

This book of piano accompaniments and cello duet lines is an excellent resource for lesson times or performance enabling teachers, friends or family to accompany students. Playing with accompaniment encourages good ensemble skills and really brings the pieces to life.

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Additional Details
Series: Faber Edition: Superstart
Publisher: Faber Music
ISBN10: 0-571-52443-5
ISBN13: 978-0-571-52443-3
SKU: 12-0571524435
Instrumentation: Piano & Cello

More about this title

About the Composer: Mary Cohen

Mary Cohen

Mary Cohen's reputation in string education spans decades and continents. Her sixty-plus publications have become standard reference material for examining boards worldwide, all built on a foundation of rigorous pedagogy that scales from absolute beginner to advanced player. She studied composition, violin, and piano at the Royal College of Music, then performed with the City of Birmingham Symphony Orchestra before establishing her own teaching studio, which evolved into a research laboratory for her educational work. Since 2001, she has served as technical consultant and composer for the ABRSM's Music Medals project, bringing both innovation and precision to music education at scale.

Chamber music sits at the heart of Cohen's philosophy. She introduced ensemble playing from the earliest stages of instruction, recognizing that collaborative music-making builds skills and joy simultaneously. Her conviction that every student learns differently shaped her publications for young players, which combine immediate appeal, humor, and a carefully scaffolded progression of technique. The Superseries, including Superstart, has redefined how string instruction happens in classrooms and studios worldwide, proving that foundational learning can be both musically substantial and genuinely engaging.

Why we love this

This pairing of accompaniments and cello duet lines transforms lessons from solo work into real ensemble experiences. Cohen's writing respects young cellists' technical level while offering genuine musical substance that rewards listening and responding to a partner, making it equally valuable for building comfort with collaborative playing as it is for enriching individual lessons.

What to expect

These pieces sparkle with humor and character. The music sits comfortably under young fingers while maintaining enough personality to feel like real performance material rather than exercises, and the addition of a piano part gives even simple melodies depth and warmth.

Who it's for

String teachers using the Superstart method with beginner cellists, as well as advanced beginner students ready for their first meaningful experiences with ensemble playing. Family members or accompanists looking for engaging repertoire that supports lesson work and solo recital preparation will find this essential.

How to get the most out of it

  • Prepare the pianist thoroughly before the first read-through with the student. A secure accompanist shapes phrasing and tempo so the cellist can focus on intonation and bow control.
  • Experiment with dynamics across both parts. Even at beginner levels, the pieces come alive when accompanist and cellist shape musical lines together rather than playing separate staves.
  • Record informal run-throughs on your phone. Young cellists benefit enormously from hearing themselves blend with another instrument, even in rough form, as it builds awareness of balance and ensemble listening.
  • Rotate which lines the cellist plays if the book includes duet options. Trading the melody for counter-melody or a secondary line helps students develop flexibility and deepens their understanding of harmonic relationships.

How to use it

Include duets on studio recitals to showcase student progress in a collaborative context, or use them as bridge material between solo work and small group performances. They also function well as part of a chamber music introduction program where students hear how their part integrates with other voices.

Skills your students will build

  • Listening and responding to a piano accompaniment
  • Ensemble intonation and blend
  • Sustained phrasing across longer phrases with harmonic support
  • Reading and coordinating entries with another musician
  • Rhythmic precision in relationship to a steady accompaniment

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