Sunsine On Leith (arr. Craig McLeish): SATB Choral Octavo
Sunsine On Leith (arr. Craig McLeish) Sheet Music Preview

Sunsine On Leith (arr. Craig McLeish): SATB Choral Octavo

As performed by The Proclaimers / Arranged by Craig McLeish

Item: 35-DS00482232
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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00482232

More about this title

About the Artist: The Proclaimers

The Proclaimers are Scottish twin brothers Craig and Allan Reid, whose 1988 debut album Sunshine on Leith became a cultural touchstone across generations. Known for their distinctive vocals and earnest songwriting, they built a career on anthemic pop-rock that resonates with both intimacy and stadium-sized conviction. Their music has threaded through films, sporting events, and wedding receptions, making them a fixture in popular culture that transcends typical pop radio lifespan.

In the classroom and on the concert stage, The Proclaimers' catalog offers accessibility without sacrificing authenticity. Their melodies stick immediately, their lyrics carry genuine emotion, and their arrangements work equally well in contemporary pop settings or as part of a mixed program that bridges classical and popular idioms.

Why we love this

Craig McLeish's arrangement captures the infectious warmth of the original while giving your singers real four-part writing that breathes and balances. The piece sits perfectly for mixed choirs seeking material that audiences will genuinely connect with, not just tolerate. This is the rare pop arrangement that respects both the song's DNA and choral craft.

What to expect

Bright and forward-moving, with the kind of earnest optimism that doesn't tip into saccharine. The arrangement honors the original's emotional directness while adding harmonic color that feels natural rather than overwrought. Singing this feels like singing something people actually believe in.

Who it's for

Any SATB choir building a contemporary program, whether your singers are high school freshmen or community members who grew up with this song. Directors seeking material that excels in mixed concerts, informal performances, or as a palate cleanser between heavier classical repertoire will find this invaluable.

How to get the most out of it

  • Let the melody soar in whichever voice part carries it. These verses thrive on clear, confident delivery rather than blended anonymity.
  • Shape the harmony with attention to voice leading rather than treating each part as static blocks. The arrangement rewards singers who listen sideways.
  • Match the recorded accompaniment's tempo as a starting point, but don't feel locked to it. Your choir's acoustic and your space will suggest their own pace.

How to use it

Position this as an anchor for a set mixing classic pop with contemporary material, or let it close a pops concert with genuine warmth. It works particularly well as a bridge piece in programs pairing a short classical section with longer contemporary works, giving the audience a moment of pure singability before moving elsewhere.

Skills your students will build

  • Four-part blend and balance in pop-influenced harmonic writing
  • Lyrical phrasing and emotional directness in secular music
  • Ensemble listening and tuning in tertian harmony
  • Differentiating solo melody clarity from supporting harmonic texture

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