Sunday Morning Styles Companion Cover Image

Sunday Morning Styles Companion: Piano Comb Bound Book

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Sunday Morning Styles Companion Cover Image

Sunday Morning Styles Companion: Piano Comb Bound Book

30 Favorite Selections Arranged in Various Styles

Arranged by Victor Labenske

Level: Late Intermediate / Early Advanced

Item: 00-39053

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Description
The fifth volume in the Sunday Morning series, this collection contains arrangements in each of the following styles: Black Gospel, Celtic, Jazz, Pop, Southern Gospel, and Latin. These arrangements can be used by students or by music professionals who are looking for pieces that can be quickly prepared for worship services. Titles: All Hail the Power * Brethren, We Have Met to Worship * Close to Thee * Come Thou Almighty King * Crown Him with Many Crowns * Have Thine Own Way, Lord * Higher Ground * I Am Thine, O Lord * I Have Decided to Follow Jesus * I Know Whom I Have Believed * I Will Praise Him * Immortal, Invisible, God Only Wise * Lead On, O King Eternal * Leaning on the Everlasting Arms * Love Divine, All Loves Excelling * A New Name in Glory * O for a Thousand Tongues to Sing * O the Deep, Deep Love of Jesus * The Old Rugged Cross * Onward Christian Soldiers * Our Great Savior * Praise Him! Praise Him! * Saved! Saved! * Stand Up for Jesus * Sweet Hour of Prayer * There Is Power in the Blood * There Shall Be Showers of Blessing * To God Be the Glory * Were You There? * Where He Leads Me I Will Follow. The comb binding creates a lay-flat book that is perfect for study and performance. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sunday Morning Styles Companion: Piano Comb Bound Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 116
ISBN10: 0-7390-9378-9
ISBN13: 978-0-7390-9378-8
UPC: 038081452944
SKU: 00-39053

More about this title

About the Arranger: Victor Labenske

Victor Labenske

Victor Labenske directs the piano and composition program at Point Loma Nazarene University in San Diego, where he earned his undergraduate degree summa cum laude. He holds a master's degree in piano performance from the University of Missouri-Kansas City Conservatory of Music (studying with Joanne Baker) and a Doctor of Musical Arts in piano performance from the University of Southern California (under Stewart Gordon's guidance).

An accomplished concert artist and collaborative performer, Labenske has appeared as a soloist and accompanist across multiple genres, including a performance in the 1984 Olympic Games opening ceremonies. He has published over 700 compositions and arrangements at varying difficulty levels, with particular recognition in sacred music through his extensive Sunday Morning Companion series and the Play Praise graded pedagogy collection. His work appears regularly in Alfred Music publications, and he contributes articles to American Music Teacher, Piano Magazine, and California Music Teacher.

Why we love this

Five volumes into the Sunday Morning series, Labenske has refined an approach that respects both the harmonic integrity of these familiar hymns and the stylistic demands that modern worship contexts require. Each arrangement sits comfortably under the hands while offering genuine stylistic character, Black Gospel voicings have grit, Latin settings have actual rhythmic spine, and the jazz treatments avoid pretension without sacrificing musicianship. This is practical material that sounds prepared and intentional, not generic.

What to expect

Stepping into a modern worship space that still honors tradition, each familiar hymn text finds new life without losing its roots. The collection swings between intimate (Celtic whisper) and exuberant (Gospel energy), creating a soundscape that feels both fresh and reverent.

Who it's for

Church musicians and worship pianists who need quick-to-learn arrangements that still sound thoughtful and stylistically authentic. Students preparing festival selections or audition material will find serious pianistic content at an achievable level. Music directors assembling contemporary worship services alongside traditional hymn texts will appreciate having these same pieces available in multiple stylistic treatments.

How to get the most out of it

  • Listen to recordings of authentic Black Gospel piano to hear how Labenske voices the extensions and rhythmic anticipations; the notation captures style, but the feel comes from listening deeply to the tradition.
  • In the Latin pieces, lock the clave rhythm in your left hand before adding the right-hand melody; these arrangements sit on their groove rather than float above it.
  • The Celtic arrangements benefit from a slightly detached touch and transparent voicing; resist the urge to sustain everything, even when the notation permits it.
  • Study the jazz reharmonizations bar by bar before performing them; Labenske often places unexpected chromatic movement in the bass that changes the entire harmonic flavor.

How to use it

Integrate individual arrangements into worship services throughout the church year, pulling different stylistic versions of the same hymn text for seasonal variety and musical depth. Use the collection as a festival study resource, assigning one complete style section per month to develop students' facility across multiple idioms. The comb binding makes it ideal for sight-reading groups and Sunday morning service preparation, where pianists need durable, performance-ready material that lies flat on the bench.

Skills your students will build

  • Playing blues-inflected harmony and gospel comping figures with rhythmic fluency
  • Reading and executing Latin rhythmic patterns (clave, montuno, tumbao bass lines)
  • Interpreting jazz reharmonizations and voice-leading voice at the keyboard
  • Understanding rhythmic anticipation, syncopation, and backphrasing across multiple styles
  • Performing lyrical, ornamented Celtic-influenced arrangements with sensitivity to rubato
  • Sight-reading at tempo within each stylistic context
  • Developing interpretive choices that respect both harmonic complexity and stylistic authenticity

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