Summy Solo Piano Package, No. 201 Cover Image

Summy Solo Piano Package, No. 201: Piano Book

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Summy Solo Piano Package, No. 201 Cover Image

Summy Solo Piano Package, No. 201: Piano Book

Level: Late Elementary

Item: 00-0653

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Description
Contains: Foggy Night at the Harbor (Hansi Alt) * Hoedown (Ernest Waxman) * Hurdy-Gurdy (Ivan Vovk) * It's Raining (Michael Brodsky) * Bouncing the Ball (Buenta Carter) * Scotch Plaid (Olive Nelson Russell) * Try and Catch Me (Lillian Robbins) * Aeolian Harp (William L. Gillock) * March of the Circus Clowns (Frederick Koch) * Jazz a Gogo (Melvin Stecher, Norman Horowitz, and Claire Gordon) * Fifteen Men on a Pirate Boat (Edna Mae Burnam) * The Harpist (Bernice Benson Bentley) * Ole! (Lynn Freeman Olson).

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Additional Details
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-07-487653-8
ISBN13: 978-0-07-487653-4
UPC: 029156659870
SKU: 00-0653

More about this title

Why we love this

This collection spans thirteen distinct compositional voices, each bringing a different character and technical focus to late elementary repertoire. Rather than a uniform pedagogical approach, students encounter vivid storytelling (pirates, circuses, harbors) alongside genuine musical variety, keeping practice sessions engaging across an entire book. The mix of American and international composers reflects the richness available at this level when you move beyond single-composer methods.

What to expect

Stepping into a musical playground. One moment you're watching circus clowns march past, the next you're listening to the Aeolian harp shimmer with harmonic resonance. The collection balances whimsical, narrative-driven pieces with more refined instrumental studies, never letting students settle into one emotional or technical zone.

Who it's for

Late elementary pianists ready to move beyond a single method book and explore a range of styles in one collection. This works well for teachers who value musical variety and want students practicing everything from character pieces to jazz alongside traditional etude-style work.

How to get the most out of it

  • Listen closely to the character titles before playing. 'Foggy Night at the Harbor' and 'Hoedown' demand different touches; let the mood guide your tone choices and dynamic shaping.
  • Work through the jazz piece ('Jazz a Gogo') with attention to the syncopation, tapping the rhythm on your knee first if the written notes feel slippery.
  • The pieces with repeated patterns ('Bouncing the Ball', 'Hurdy-Gurdy') benefit from consistent pedal choices; decide early whether you'll use the sustain pedal and stick with that plan through performance.
  • Sight-read through several pieces in one sitting to build fluency, then circle back to polish one or two at a deeper level.

How to use it

Ideal for supplementing a method book during the late elementary years, offering recital pieces throughout the year without requiring a separate collection hunt. Assign one new piece per week alongside method book progress, or use the shorter, character-driven pieces as sight-reading material for group lessons.

Skills your students will build

  • Dynamic control and tonal shaping across contrasting styles
  • Syncopation and jazz rhythms
  • Left-hand independence in folk and traditional idioms
  • Pedal technique and resonance awareness
  • Sight-reading fluency across multiple composers and keys
  • Interpretation of programmatic titles to inform musical expression

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