Summit!: Marching Band Conductor Score & Parts
By Brian Scott
Grade: 3 (Medium)
Item: 00-PK-0008006
$60.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Summit!: Score | $10.00 | |
| Summit!: Flute | $3.00 | |
| Summit!: 1st B-flat Clarinet | $3.00 | |
| Summit!: 2nd B-flat Clarinet | $3.00 | |
| Summit!: E-flat Alto Saxophone | $3.00 | |
| Summit!: B-flat Tenor Saxophone | $3.00 | |
| Summit!: E-flat Baritone Saxophone | $3.00 | |
| Summit!: 1st B-flat Trumpet | $3.00 | |
| Summit!: 2nd B-flat Trumpet | $3.00 | |
| Summit!: 3rd B-flat Trumpet | $3.00 | |
| Summit!: 1st F Horn | $3.00 | |
| Summit!: Horn in B flat | $3.00 | |
| Summit!: 1st Trombone | $3.00 | |
| Summit!: 2nd Trombone | $3.00 | |
| Summit!: Baritone B.C. | $3.00 | |
| Summit!: Baritone T.C. | $3.00 | |
| Summit!: Electric Bass | $3.00 | |
| Summit!: Tuba | $3.00 | |
| Summit!: Mallets | $3.00 | |
| Summit!: Snare Drum | $3.00 | |
| Summit!: Quad-Toms | $3.00 | |
| Summit!: Tonal Bass Drum | $3.00 | |
| Summit!: Cymbals | $3.00 | |
| Summit!: Auxiliary Percussion | $3.00 | |
| Summit!: Keyboard/Synthesizer | $3.00 |
Parts Added to Cart!
Description
"Soaring" best describes this fresh new original for marching band by veteran writer Brian Scott. This is a great opener or closer for the field or for any occasion that calls for a special piece---it's powerful, lyrical, and full of contemporary sounds. Check this one out! (1:55)
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Summit!: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Premier Series for Marching Band
Publisher:
Alfred Music
Page Count:
126
SKU:
00-PK-0008006
More about this title
About the Composer: Brian Scott
Brian Scott has built a reputation as a composer who understands what works on the field. His writing balances accessibility with musical substance, creating pieces that sound sophisticated without demanding impossible technical feats from students. Scott's work appears regularly in the Premier Series, where his instinct for contemporary orchestration and clean voicing serves directors looking for repertoire that engages both performers and audiences.
Why we love this
Brian Scott writes for marching band with a real sense of purpose. Summit captures that balance between accessibility and contemporary sophistication that makes a piece memorable without overwhelming a Grade 3 ensemble. It works equally well as a field statement or a concert finale because it's built on musical substance, not just flash.
What to expect
Summit opens with confidence and builds through soaring melodic lines that feel both lyrical and propulsive. The contemporary harmonic palette keeps the listening experience fresh while the piece maintains enough accessibility that your ensemble can achieve a polished, powerful sound without endless drilling.
Who it's for
Marching bands at the Grade 3 level looking for original literature that sounds more sophisticated than its difficulty level suggests. This works for groups ready to tackle contemporary harmonic language and dynamic shaping without needing extensive simplification.
How to get the most out of it
- Balance the lyrical passages so they breathe; resist the urge to push dynamics too early in the piece. Let the soaring melody sit naturally before building intensity.
- Attend to section blend in the contemporary harmonic language. Block rehearsal time to ensure clarinets and upper woodwinds lock their sonority with brass underneath.
- Use the 1:55 duration as your timing reference during field rehearsal. Establish consistent tempos across all sections to maintain the piece's natural flow from opener through closure.
- Shape the powerful moments with dynamic focus rather than volume alone. Teach your ensemble to differentiate between full ensemble passages and those requiring strategic transparency.
How to use it
Use this as your field show opener if you want to establish a strong musical statement immediately. It also functions as an excellent concert closer, especially for indoor competitions or invitational performances where you need a piece that lands with impact without requiring visual design support.
Skills your students will build
- Balancing lyricism with rhythmic precision in contemporary harmonic contexts
- Section blend and sonority control across multiple instrumental families
- Dynamic shaping and contrast in sustained passages
- Maintaining ensemble cohesion through key changes and harmonic movement