Summertime (from Porgy And Bess) (arr. Paul Murtha) Sheet Music Preview

Summertime (from Porgy And Bess) (arr. Paul Murtha): Jazz Ensemble Conductor Score & Parts

Arranged by Paul Murtha

Grade: 1.5

Item: 35-PK00547350

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Description
This enduring Gershwin classic has long been a favorite with jazz artists. Paul's marvelous setting for young players features a sultry Latin rock groove, tasty harmonies, easy rhythms, and no solos are required. Great feature number for the entire ensemble. Discovery Jazz series titles are written for full band, playable with 3 saxes, 2 trumpets, 1 trombone, and rhythm section. Each arrangement includes optional parts for flute, clarinet, F horn, and tuba. Full-length recordings are available for each arrangement online.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00547350

More about this title

About the Arranger: Paul Murtha

Paul Murtha stands among the most prolific and pragmatic arrangers writing for young jazz ensembles today. His work across the Discovery Jazz series demonstrates a deep understanding of what early intermediate players need: clear harmonic frameworks, rhythmic patterns they can lock into, and arrangements that sound polished without requiring instrumental virtuosity.

Why we love this

Murtha respects the tune's sultry character while stripping away unnecessary complexity. Every section of the ensemble gets to play, the Latin rock groove sits beautifully under young players' hands, and the arrangement lets the melody speak without demanding soloists you may not have. It's a feature that actually features the band.

What to expect

Warm, sophisticated, and effortlessly cool. The Latin rock groove gives the arrangement contemporary muscle while maintaining the original's languid, late-night character. It feels like the ensemble is genuinely playing jazz rather than simply reading notes.

Who it's for

Jazz ensembles at grades 1 through 2, particularly those wanting an accessible feature that includes everyone and requires minimal solo preparation. This works equally well for groups new to jazz as for developing ensembles looking to add a stylistically solid standard to their book.

How to get the most out of it

  • Lock the rhythm section into the Latin rock pocket first before bringing in horns. The groove is everything here, so spend rehearsal time getting bass, drums, and piano locked before layering.
  • Balance the harmonies by having each section play their notes at a consistent dynamic level. Young players tend to push the melody, but those supporting voicings need equal weight to give the arrangement its richness.
  • Let the piece breathe at phrase ends rather than rushing. The sultry character depends on players maintaining control and space, especially in the slower passages.
  • Use the full-length recording as a reference for pacing and groove feel, then have the band perform along with it to internalize the rhythm without the accompaniment track.

How to use it

Pair this with other Gershwin or Broadway standards to build a thematic concert set, or slot it into a spring pops concert where you want something with genuine musical substance. Its approachable level makes it ideal for early season programming when building ensemble cohesion matters more than technical fireworks.

Skills your students will build

  • Latin rock groove and swing feel differentiation
  • Ensemble balance in layered horn voicings
  • Reading and executing straightforward rhythmic figures
  • Understanding harmonic function through listening and playing
  • Responding to a steady rhythm section pulse

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