Summertime (from Porgy and Bess) Sheet Music Preview

Summertime (from Porgy and Bess): Concert Band Conductor Score & Parts

As performed by Ira Gershwin / Arranged by Robert Longfield

Grade: 2

Item: 35-PK00303731

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Description
This timeless ballad from Gershwin's "Porgy Bess" is beautifully arranged here for young bands in a bluesy swing style setting. Robert Longfield uses rich harmonies, varied scoring and creative accompaniment figures throughout in this arrangement sure to be enjoyed by audiences of all ages. Dur: 2:40

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00303731

More about this title

About the Artist: Ira Gershwin

Ira Gershwin was one of the most prolific lyricists of the American songbook, collaborating with his brother George to create some of the most enduring melodies in musical theater. His work on "Porgy and Bess" (1935) demonstrated his gift for crafting lyrics that served both dramatic storytelling and memorable melodic lines, making the score an essential work in the American musical canon.

Gershwin's lyrics for "Summertime" capture the languid beauty of a Southern summer while anchoring the piece in genuine emotional depth. His understanding of how words and music could intertwine set a standard for musical theater that continues to influence composers and educators today.

Why we love this

Longfield's arrangement respects the essential character of this beloved standard while making it fully accessible to younger ensembles. The bluesy swing treatment gives students exposure to stylistic coloring beyond classical articulation, and the varied scoring keeps every section engaged without overwhelming developing players.

What to expect

Warm, unhurried, and gently bluesy. The arrangement wraps familiar orchestral sophistication around a melody so graceful it seems to float effortlessly. Students will recognize the tune immediately, which frees them to focus on style, phrasing, and the interplay between solo voices and supporting harmonies.

Who it's for

Grade 2 bands ready to explore music beyond the standard concert repertoire, particularly those interested in American songbook standards and jazz influences. This works well for players who can handle lyrical playing but benefit from straightforward rhythmic writing and manageable range demands.

How to get the most out of it

  • Balance the melody against the accompaniment figures so the soloists can be heard clearly without dominating the ensemble texture
  • Lean into the swing style with a relaxed approach to articulation in the rhythm section; this isn't a march, so let the groove breathe
  • Shape the phrase arcs around the lyrical content, even in an instrumental arrangement; know where the emotional peaks fall
  • Use the blues harmonies as an opportunity to discuss how Gershwin bridged classical form with American popular idioms

How to use it

Feature this early in a concert to set a reflective tone, or pair it with other American standards to highlight the roots of popular song. The two-minute-forty-second duration makes it an ideal concert opener or a thoughtful bridge between more energetic selections.

Skills your students will build

  • Phrasing and breath management in ballad-style playing
  • Stylistic interpretation of swing feel and blues articulation
  • Balancing solo passages with supporting harmonic layers
  • Awareness of how jazz and popular idioms enrich classical ensemble writing

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