Sultana: 1865 Cover Image

Sultana: 1865: Concert Band Conductor Score

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Sultana: 1865 Cover Image

Sultana: 1865: Concert Band Conductor Score

By Randall D. Standridge

Grade: 3

Item: 98-B1816S

$17.00
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Description
This programmatic work paints a portrait of the worst maritime disaster in U.S. history. In 1865, after the end of the Civil War, the Sultana was carrying Union soldiers up the Mississippi River when she exploded. This work combines original material with the classic hymn, Abide with Me and two Union songs (We're Coming, Father Abra'am and The Battle Cry of Freedom) to create a dramatic narrative that will deeply impact players and audiences alike.

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444531570
SKU: 98-B1816S

More about this title

About the Composer: Randall D. Standridge

Randall D. Standridge is a prolific composer and arranger whose works span concert band, wind ensemble, and choral genres. His compositions are known for their accessibility at lower grade levels combined with genuine musical substance and dramatic storytelling. Standridge has become a staple in school band programs, where his pieces balance educational value with the kind of emotional engagement that keeps students invested in their playing.

Why we love this

Standridge grounds this piece in real history without resorting to orchestral spectacle. The integration of three period-appropriate songs creates a framework that feels earned rather than imposed, and at Grade 3, the band writing is clean enough that students can focus on the narrative arc instead of fighting the notes. Directors looking for repertoire with civic weight that their students can actually execute will find this genuinely moving.

What to expect

Somber and respectful, with moments of hymnic dignity that ground the narrative. The piece moves through tragedy without becoming melodramatic, letting familiar melodies carry the emotional weight while the original material provides context and atmosphere. It feels like listening to a story told by someone who knew what happened and wanted to honor those who suffered.

Who it's for

Grade 3 concert bands ready to tackle music with historical substance and emotional depth. This works equally well for bands seeking patriotic repertoire with real meaning or for conductors building a concert around American history and musical heritage.

How to get the most out of it

  • Shape each hymn and patriotic song as its own emotional statement rather than background material. The arrangement depends on the band hearing these melodies as moments of reflection within the larger drama.
  • Balance the original programmatic sections carefully so they support rather than overshadow the familiar songs. The contrast between new writing and recognized melodies is what gives the piece its power.
  • Discuss the historical context with your band before rehearsals begin. Students who understand what happened on the Sultana will make more intentional musical choices about pacing, dynamics, and tone color.
  • Pay attention to transitions between sections. Standridge has written connective material that should breathe naturally, not be rushed through.

How to use it

Program this in a concert exploring American history, military remembrance, or the post-Civil War period. It pairs naturally with other patriotic or programmatic works and works especially well as the centerpiece of a concert rather than an opener or closer, where it can command full attention. Consider programming it when you can take time in your concert notes or between pieces to give the audience the historical background.

Skills your students will build

  • Reading and interpreting programmatic cues in a conductor score
  • Balancing original material with familiar melodies in a single cohesive arrangement
  • Sustaining focus through extended musical narratives
  • Shapinghymnic material with appropriate reverence and long-line phrasing
  • Responding to conductor direction for dramatic effect and emotional pacing

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