Suites, Lessons & Pieces for the Harpsichord, Vol. 1 Cover Image

Suites, Lessons & Pieces for the Harpsichord, Vol. 1: Other Keyboard, Collections, Book

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Suites, Lessons & Pieces for the Harpsichord, Vol. 1 Cover Image

Suites, Lessons & Pieces for the Harpsichord, Vol. 1: Other Keyboard, Collections, Book

By Henry Purcell, ed. William Barclay Squire

Item: 36-W714191

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This complete collection of harpsichord works by Henry Purcell (1659-1695) has been compiled and edited by William Barclay Squire. Offered here in four volumes, volume 1 includes Suites I - V.

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Additional Details
Series: Well Tempered Press - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563591-4
ISBN13: 979-8-89-563591-9
UPC: 660355109621
SKU: 36-W714191
Instrumentation: Harpsichord (or Piano) Solo

More about this title

About the Composer: Henry Purcell

Henry Purcell (1659-1695) stands as England's greatest composer of the Baroque era, a master of both instrumental and vocal music whose output shaped the course of English music for generations. His harpsichord suites and lessons represent a pinnacle of keyboard writing, blending French dance forms with Italian harmonic sophistication and English melodic sensibility, all executed with technical brilliance and expressive depth.

Purcell's keyboard works demand serious musicianship from performers. These pieces showcase his gift for counterpoint, his inventive use of variation, and his ability to write idiomatically for the instrument, making them essential study for any harpsichordist seeking to understand the language of late Baroque keyboard music.

Why we love this

Purcell's suites offer the harpsichordist genuine musical substance at an accessible level of difficulty. The collection spans dance forms, variations, and character pieces that reveal different facets of his compositional craft without requiring virtuosic technical demands, making these works ideal for students building interpretive skills and understanding Baroque style.

What to expect

These suites unfold with courtly elegance and emotional restraint characteristic of the English Baroque, yet beneath that composed surface lies harmonic invention and melodic wit that keeps the listener engaged. The collection moves through moments of intimate lyricism, energetic dances, and intricate variations that showcase Purcell's gift for spinning complex musical ideas from simple thematic material.

Who it's for

Intermediate to advanced harpsichordists seeking substantial Baroque repertoire that rewards close study and offers genuine interpretive challenges. Pianists exploring the harpsichord repertoire will also find these suites approachable and revelatory, as they bridge keyboard writing practices across both instruments.

How to get the most out of it

  • Shape each dance movement as a complete musical thought rather than racing through the notated rhythms; Purcell's phrasing often obscures the bar line, requiring thoughtful rubato and breathing even on a keyboard instrument.
  • Differentiate the character of each suite by varying articulation, tempo, and registration choices; a spirited Almande calls for a different touch than a graceful Air.
  • Let the figured bass work inform your left-hand voicings and voice leading; even in solo keyboard writing, Purcell expects sophisticated harmonic thinking beneath the surface melody.
  • Use inequality (notes inégales) judiciously in dotted rhythms and running passages to honor the French dance traditions that influenced these works without obscuring Purcell's essential lines.

How to use it

Program individual suites or movements as recital openers to establish an evening's stylistic foundation, or create a themed concert pairing Purcell's harpsichord works with his vocal music to demonstrate the breadth of his compositional voice. These pieces also serve as primary texts for lecture-recitals exploring Baroque keyboard music and the evolution of the suite form.

Skills your students will build

  • Reading and realizing figured bass notation
  • Interpreting French Baroque dance forms and their characteristic rhythmic gestures
  • Harpsichord-specific articulation and ornamentation practices
  • Voice leading and independent hand independence in polyphonic writing
  • Variational technique and motivic development across movements

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