Suites and Airs for Alto Recorder and Keyboard Cover Image

Suites and Airs for Alto Recorder and Keyboard: Recorder – Treble (Alto) & Keyboard

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Suites and Airs for Alto Recorder and Keyboard Cover Image

Suites and Airs for Alto Recorder and Keyboard: Recorder – Treble (Alto) & Keyboard

By Nicolaus Adam Strungk / arr. Dietz Degen, ed. Dietz Degen

Item: 98-EP4565

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 1
ISBN10: 0-300-70595-6
ISBN13: 978-0-300-70595-9
SKU: 98-EP4565

More about this title

About the Composer: Nicolaus Adam Strungk

Nicolaus Adam Strungk (1640-1700) was a German Baroque composer and violinist active in northern Europe during the late 17th century. He held positions at the courts of Hanover and Brunswick-Lüneburg, where he composed instrumental music that reflected the Italian and French styles favored by German nobility of his time.

Strungk's instrumental works, including his suites and airs, demonstrate his skill at writing idiomatically for winds and strings. His recorder music sits comfortably in the upper range and pairs naturally with continuo accompaniment, making his suites accessible teaching repertoire for advancing students.

Why we love this

Strungk's suites offer the rhythmic grace and harmonic clarity of the Baroque without the technical complexity that can bog down developing recorder players. These pieces let students experience the joy of playing in ensemble with keyboard while working with melodic material that sounds genuinely musical, not merely pedagogical.

What to expect

Graceful and unhurried, with the buoyant character of German Baroque instrumental music. These suites breathe with the rhythmic clarity and harmonic logic of the era, offering players a window into how composers like Strungk wove together dance forms and lyrical airs.

Who it's for

Alto recorder players in the intermediate to advanced range who want to explore Baroque ensemble repertoire beyond the standard pedagogical suites. This edition works equally well for advanced high school students and adult amateurs seeking repertoire that sounds idiomatic and rewarding.

How to get the most out of it

  • Shape each movement's opening phrase to establish its character; Baroque suites thrive when their dances have distinctive articulation and energy rather than uniform legato playing.
  • Balance your tone to blend smoothly with the keyboard partner. The recorder's brightness should complement rather than dominate the harpsichord or piano part.
  • Pay attention to the published articulation and slurring as guides to phrasing conventions of the period; Baroque composers notated these details for good reason.

How to use it

Feature one movement in a recital or chamber concert to showcase your alto recorder player's solo capabilities in an ensemble setting. Alternately, use the suites as study material during a unit on Baroque forms and national styles, pairing them with comparable works by Telemann or Blavet to highlight regional differences in the same period.

Skills your students will build

  • Baroque articulation and phrasing conventions
  • Ensemble balance and listening to keyboard partners
  • Rhythmic clarity in structured dance forms
  • Reading figured bass and understanding harmonic movement
  • Stylistically appropriate ornamentation and breathing

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