Suite on Canadian Folk Songs Cover Image

Suite on Canadian Folk Songs: Concert Band Conductor Score & Parts

$105.00 USD
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Suite on Canadian Folk Songs Cover Image

Suite on Canadian Folk Songs: Concert Band Conductor Score & Parts

By Morley Calvert

Grade: 4

Item: 81-CB2690

$105.00
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Description
Suite on Canadian Folk Songs was written as a Centennial project in 1967 and originally scored for brass band, although the music of the first movement had appeared in Suite from the Monteregian Hills in 1961. Until this edition, the concert band version has remained unpublished, although it has attracted the admiration of many band directors. The suite is in three movements; the first and last being arrangements of French Canadian folk songs, and the middle movement an arrangement of folk song from the province of Newfoundland.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-995-5
ISBN13: 978-1-55472-995-1
UPC: 685462004577
SKU: 81-CB2690

More about this title

About the Composer: Morley Calvert

Morley Calvert was a Canadian composer and conductor whose work centered on celebrating folk traditions and national identity. His output included arrangements and original compositions that drew deeply from Canadian musical heritage, particularly the rich vocal traditions of French-Canadian and Maritime cultures.

Why we love this

This suite captures something rare: a piece written for a specific national moment that has aged into genuine musical substance. The three-movement structure gives you architectural variety while the folk-song foundation keeps everything accessible and singable. After decades in manuscript, this concert band version finally deserves the programming attention it's always commanded from insiders.

What to expect

Warm and grounded, with the earthy character of folk melody running through elegant instrumental writing. The suite moves from robust French-Canadian material through the quieter, more introspective sound-world of Newfoundland folk, creating an emotional arc that feels both intimate and celebratory.

Who it's for

Intermediate to advanced concert bands looking for substantial repertoire that connects to cultural identity and folk heritage. This works well for groups ready to handle three-movement formal architecture and interested in Canadian or North American programming.

How to get the most out of it

  • Balance the melodic lines across sections in the French-Canadian movements; these folk tunes need to sing clearly regardless of which instruments carry them.
  • Let the Newfoundland middle movement breathe, folk material often benefits from slight rubato and space rather than strict metronomic adherence.
  • Check voicing and ranges carefully in parts; arrangements of folk songs sometimes sit in unexpected registers that can strain certain sections if not voiced thoughtfully.

How to use it

Pair this with other folk-based concert band works or position it as the centerpiece of a Canadian-focused concert. The three-movement design and Grade 4 accessibility make it suitable for spring or end-of-year programming, where audiences and performers alike respond to music rooted in familiar melodic tradition.

Skills your students will build

  • Balancing melody and accompaniment across varied instrumental textures
  • Shaping lyrical material drawn from vocal sources
  • Navigating three-movement formal structures with contrasting characters
  • Performing folk material with appropriate stylistic inflection

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