Suite No. 3 in G, Op. 55: Conductor Score

$125.00 USD

Suite No. 3 in G, Op. 55: Conductor Score

Name: Suite No. 3 in G, Op. 55: Conductor Score
Brand: Alfred Music
SKU: 36-A243601
Price: 125.00 USD
Availability: InStock

By Peter Ilyitch Tchaikovsky

Item: 36-A243601

$125.00

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The longest and best known of his four orchestral suites, SUITE NO. 3 in G Major, Op. 55 was written and orchestrated between April and July 1884. Unoriginally uncertain if his new large scale work would be best approached as a symphony or a piano concerto, Tchaikovsky eventually settled on a third orchestra suite after a walk in his garden on April day. Originally intended to have five movements, the intended first movement caused the composer so much consternation that he eventually rejected it altogether and opted for a four-movement suite instead, though he used the material from the rejected first movement - "Contrastes" - in his CONCERT FANTASIA for piano and orchestra, which he began while still orchestrating SUITE NO. 3. The suite was received warmly by concertgoers at the January 24th, 1885 premiere in Saint Petersburg, Russia, under the baton of Hans von Bülow. Following the premiere, Tchaikovsky wrote to his patroness that "reality far exceeded my expectations. I have never before experienced such a triumph. I saw that then entire mass of the audience was moved, and grateful to me. These moments are the finest adornment of the artist's life. Thanks to these it is worth living and laboring." In 1970, co-founder and founding choreographer of the New York City Ballet, George Balanchine, created a ballet set to the music of SUITE NO. 3. Instrumentation: 3(3dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str(9-8-7-6-5).

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Series: Kalmus Orchestra Library

Publisher: Keiser Productions, Inc.

ISBN10: 1-63-887221-X

ISBN13: 978-1-63-887221-4

UPC: 746241278210

SKU: 36-A243601

Instrumentation: 3d1, 2+1, 2, 2 - 4, 2, 3, 1, timp, perc, hp, str

More about this title

About the Composer: Peter Tchaikovsky

Peter Tchaikovsky (1840-1893) was a Russian composer whose orchestral works remain central to the concert repertoire. His ability to blend Russian national character with European symphonic form gave his music immediate appeal to audiences across the continent, and that accessibility has never faded. Tchaikovsky's gift for memorable melody, combined with his sophisticated understanding of orchestral color and dramatic pacing, made him one of the most performed composers of the nineteenth century.

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Why we love this

This is the suite audiences actually want to hear. Written during a remarkably productive period in 1884, it has the warmth and lyricism that made Tchaikovsky's orchestral writing so immediate, without the sometimes-darker introspection of his symphonies. The four-movement structure gives you a complete, satisfying arc in a single concert work, and the orchestration sits beautifully for most professional and advanced amateur ensembles.

What to expect

Lyrical and generous, with moments of genuine tenderness alongside vivid orchestral spectacle. The suite moves easily between introspection and exuberance, offering the kind of emotional directness that made Tchaikovsky's music beloved in his own time and never stopped speaking to audiences since.

Who it's for

Conductors of professional orchestras, advanced amateur ensembles, and university orchestras seeking a substantial Romantic work that rewards rehearsal investment without requiring an unusually large roster. This score is essential for any conductor building a Tchaikovsky cycle or programming a nineteenth-century Russian music concert.

How to get the most out of it

Balance the harp in the accompaniment figures; it should support harmonic color without overwhelming the primary melodic lines in the strings and winds.
Shape each movement's climax with careful attention to the dynamic architecture rather than simply pushing volume; Tchaikovsky's crescendos build through orchestration as much as intensity.
Secure the rhythmic integrity of the percussion and timpani parts early in rehearsal, as they anchor the suite's formal structure and dramatic moments.
Prepare the two or three additional percussionists clearly on their cues and instrumental assignments so transitions remain seamless.

How to use it

Pair it with other Russian orchestral works from the period, or use it as the centerpiece of a Romantic-era concert where it can breathe without competition from equally substantial works. Its four-movement structure and accessible character make it especially effective as a closing work, leaving audiences satisfied and engaged.

Skills your students will build

Sustaining long-line orchestral direction across multiple contrasting movements
Balancing and bringing forward individual instrumental choirs within a full orchestral texture
Managing ensemble coordination in passages with independent rhythmic figures across sections
Interpreting Romantic-era dynamic and tempo markings to shape musical phrases