Suite Miniature for Cello Octet Cover Image

Suite Miniature for Cello Octet: Cello Octet Conductor Score & Parts

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Suite Miniature for Cello Octet Cover Image

Suite Miniature for Cello Octet: Cello Octet Conductor Score & Parts

By Alan Shulman

Item: 36-50737001

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Description
First performed by the Fine Arts Cello Ensemble, Los Angeles, April 15, 1956. The suite consists of three movements derived from French airs: 1. Bouree d'Aubergne, 2. Berceuse Bretonne, and 3. Le Gayant de Douai. This new edition features re-engraved score and parts.

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Additional Details
Series: LudwigMasters String Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-898108-98-2
ISBN13: 979-8-898108-98-4
UPC: 612735717643
SKU: 36-50737001
Instrumentation: Cello Octet

More about this title

About the Composer: Alan Shulman

Alan Shulman (1915-2002) was an American cellist and composer who championed chamber music throughout his career. He founded the Fine Arts String Quartet and later the Fine Arts Cello Ensemble, ensembles dedicated to performing and commissioning new works for strings. Shulman's compositions blend accessible lyricism with solid craftsmanship, and his arrangements of folk material and period pieces remain valuable additions to the chamber music repertoire.

Why we love this

Shulman's Suite Miniature offers a rare and elegant vehicle for eight cellists to perform together with real musical substance. The three movements move seamlessly through contrasting characters derived from French folk sources, giving the ensemble a complete arc without demanding virtuosic display or extended rehearsal time. Programming eight cellists at this level is uncommon enough that having a score this accessible and musically satisfying makes it genuinely useful.

What to expect

The suite unfolds like a journey through French provincial character and charm. The opening Bourrée dances with rhythmic clarity and folk spirit, the Berceuse cradles the listener in warm, sustained harmony, and the final movement returns to brightness and energy. Throughout, the eight cello voices create a rich, homogeneous texture that feels both intimate and full.

Who it's for

Cello octets and small cello choirs at the high school and early college levels will find this suite both achievable and genuinely rewarding. Directors seeking repertoire that showcases a large group of cellists without requiring advanced soloistic skills or complex rhythmic coordination will appreciate Shulman's writing.

How to get the most out of it

  • Balance the parts carefully in the first movement; the Bourrée d'Auvergne benefits from a lean, dance-like articulation across all voices rather than a thick, blended sound.
  • Let the Berceuse Bretonne breathe with long phrases and sustained tones; resist the urge to over-vibrato, which can cloud the gentle character.
  • Shape dynamic transitions precisely between movements to maintain listener engagement across the suite.
  • Mark individual bowings consistently across all eight parts so the ensemble moves as a unified body during faster passage work.

How to use it

This suite works beautifully as the centerpiece of a strings-focused concert or as a showcase moment within a larger ensemble program. Its three distinct movements allow programmers to place it between contrasting works, and its modest rehearsal demands mean it pairs well with pieces that require more intensive preparation.

Skills your students will build

  • Ensemble balance and blend across eight independent parts
  • Sustaining long phrases with consistent tone quality
  • Coordinating bow changes and articulation across multiple voices
  • Interpreting folk-derived melodic material with stylistic awareness
  • Reading ensemble scores and understanding harmonic context as a participant

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