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Suite Concertante, No. 2: Siciliana Notturna: String Orchestra, Conductor Score & Parts

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Suite Concertante, No. 2: Siciliana Notturna Cover Image

Suite Concertante, No. 2: Siciliana Notturna: String Orchestra, Conductor Score & Parts

By Alfred Reed

Item: 36-A845390

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Description
SUITE CONCERTANTE was originally written for an orchestra of eight celli and double bass, and the work was premiered on April 19th, 1970 in this form. Some years later, Alfred Reed re-scored the second movement, titled SICILIANA NOTTURNA, of this five-movement work for string orchestra and harp, and this version was premiered in 1976 with Dr. Lucas Drew conducting the Bicentennial Chamber Orchestra of Miami. Instrumentation: Hp: Str (8.8.5.5.5 in set). In 1981, Alfred Reed orchestrated the remaining four movement of the full suite for string orchestra, and that version is also available from the publisher (A5028).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 605258590619
SKU: 36-A845390
Instrumentation: Hp: Str (8.8.5.5.5 in set)

More about this title

About the Composer: Alfred Reed

Alfred Reed (1921-2005) was an American composer, conductor, and educator whose prolific output spanned orchestral, band, choral, and chamber works. He served on the faculty at the University of Miami for many decades and remained active in composition and orchestration throughout his career, bringing a craftsman's attention to scoring and orchestral color across multiple instrumental combinations.

Why we love this

This movement gives you access to a sophisticated string orchestra work with harp that stands apart from typical concert repertoire at this level. The shift from Reed's original cello ensemble scoring to this lush string orchestration opens up programming possibilities for groups seeking music with genuine lyrical depth and mature harmonic language.

What to expect

Nocturnal and introspective, with the gentle rocking motion of a siciliana that evokes Southern European evening landscapes. The harp and string textures create an intimate, almost chamber-like atmosphere despite the full orchestration.

Who it's for

String orchestra directors seeking a single-movement work with genuine artistic substance and an evening-appropriate character. This movement suits intermediate to advanced groups comfortable with sustained legato writing and independent inner voices.

How to get the most out of it

  • Balance the harp's role carefully during rehearsal; it functions both as harmonic support and as a textural anchor, so clarity in the string parts will let it sit naturally without forcing.
  • Attend to the siciliana rhythm (6/8 lilting quality) as a unifying element; even in legato passages, keep the rhythmic pulse singing rather than sagging.
  • Use separate rehearsal on first violin and cello lines to establish the primary melodic conversation before bringing full sections together.

How to use it

Program this as a palette-cleansing centerpiece between more energetic works, or pair it with other movements from Reed's full Suite Concertante orchestration (available separately) to create a complete evening of his string writing.

Skills your students will build

  • Sustaining tone quality across dynamic changes in legato passages
  • Balancing multiple independent melodic lines within a single section
  • Responding to harp accompaniment while maintaining ensemble cohesion
  • Interpreting siciliana rhythmic character in 6/8 meter

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