Suite Bergamasque, CD 82/ L 75: Three Pieces Cover Image

Suite Bergamasque, CD 82/ L 75: Three Pieces: Violin, Solo with Piano, Solo with Piano

$9.95 USD
$9.95 USD
Skip to product information
Suite Bergamasque, CD 82/ L 75: Three Pieces Cover Image
Suite Bergamasque, CD 82/ L 75: Three Pieces: Violin, Solo with Piano, Solo with Piano

Suite Bergamasque, CD 82/ L 75: Three Pieces: Violin, Solo with Piano, Solo with Piano

By Claude Debussy, transc. Louis Carembat

Item: 36-M120391
$9.95
Shipped

One moment…

Description
Claude Debussy's (1862-1918) first began writing the SUITE BERGAMASQUE (CD 82/ L 75) in 1890, then revised it significantly just before it was published in 1905. Debussy was reluctant initially to see these early piano works published at all as they were written before he developed his mature style, but a publisher convinced him that they would be successful given the fame Debussy had achieved since he first wrote them. The third movement, Clair de lune, is one of the most famous works in classical music and certainly among Debussy's best-known pieces. This transcription of three of the movements (omitting only the first movement, Prélude) has been completed by early 20th Century French violinist Louis Carembat. Movements: 1. Menuet; 2. Clair de lune; 3. Passepied. Reprint edition.

Suite Bergamasque, CD 82/ L 75: Three Pieces: Violin, Solo with Piano, Solo with Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Master String Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296052-8
ISBN13: 978-1-68-296052-3
UPC: 660355145667
SKU: 36-M120391
Instrumentation: Violin and Piano

More about this title

About the Composer: Claude Debussy

Claude Debussy (1862-1918) fundamentally reshaped how composers approached harmony, orchestration, and form. His early training at the Paris Conservatoire grounded him in tradition, but his travels and exposure to non-Western music pushed him toward radical sonic experimentation. By the time he reached his thirties, he had already established himself as a visionary whose music challenged every assumption about structure and resolution.

Suite Bergamasque occupied an unusual place in Debussy's catalog. He composed it in 1890 while still finding his voice, then set it aside for fifteen years. Only when his later works had secured his reputation did he consent to publication in 1905, viewing the early suite through the lens of his matured style. The piece reveals a composer in transition, blending Romantic gestures with the impressionistic textures that would define his legacy.

Why we love this

Carembat's transcription opens access to music that feels both intimate and orchestral. Clair de lune has been transcribed countless times, but pairing it with Menuet and Passepied creates a complete arc that reveals the suite's formal architecture without the piano's opening Prélude. The arrangement respects Debussy's impressionistic voice while giving violinists genuine technical and expressive challenges.

What to expect

Debussy's world unfolds through delicate colors and suspended moments. Menuet dances with subtle refinement; Clair de lune breathes with nocturnal stillness and yearning; Passepied closes with gossamer-light propulsion. The violin becomes a vehicle for impressionistic painting rather than virtuosic display.

Who it's for

Advanced high school violinists and college players ready to navigate Debussy's harmonic language and rubato-inflected phrasing. This arrangement suits recital programs, chamber performance, or as a bridge into 20th-century violin repertoire.

How to get the most out of it

  • Approach the opening of Menuet with rhythmic clarity but never stiffness; Debussy's 18th-century form exists in conversation with modern harmony, not submission to it.
  • In Clair de lune, let the piano establish the harmonic atmosphere before the violin enters; the melody should float above rather than compete with the accompaniment.
  • Shape the Passepied with lightness and precision, paying attention to Debussy's subtle dynamic markings rather than pushing for volume.
  • Coordinate with your pianist on pedal choices, especially in the impressionistic passages where harmonic color depends on thoughtful resonance control.

How to use it

Program this suite when you want to anchor a recital in 20th-century French aesthetics, or place it between Romantic-era repertoire and contemporary works to demonstrate the evolution of harmonic thinking. It works equally well as a complete three-movement set or as a standalone Clair de lune with surrounding pieces that build from classical grace to modern sensibility.

Skills your students will build

  • Reading and executing Debussy's non-functional harmonic progressions
  • Balancing melodic expression with impressionistic accompaniment textures
  • Interpreting tempo flexibility and rubato in early 20th-century music
  • Sustaining lyrical lines across phrase lengths determined by harmonic content rather than metric regularity
  • Collaborative listening with pianist to achieve unified interpretive choices across impressionistic coloration

You May Also Like