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Suddenly: Choral Instrumental Pak

As performed by Alain Boublil / As performed by Claude-Michel Schonberg / As performed by Les Miserables (Movie) / Arranged by Ed Lojeski

Item: 35-PK00257986

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Description
New to the film adaptation of Les Misérables is this intimate song, sung by Jean Valjean (Hugh Jackman) after he rescues the little girl Cosette and experiences for the first time in his life feelings of love. A beautiful and tender moment! Duration: ca. 2:30.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00257986

More about this title

About the Artist: Alain Boublil

Alain Boublil is the lyricist and librettist behind Les Misérables, one of the most performed musical theater works in the world. His collaborations with composer Claude-Michel Schönberg have created some of musical theater's most enduring and emotionally resonant moments, spanning decades of productions across multiple continents and languages.

Boublil's gift lies in crafting lyrics that deepen character arcs and crystallize emotional turning points. In the film adaptation of Les Misérables, his words capture the vulnerability of Jean Valjean at a pivotal moment of redemption, making the work valuable not only for its theatrical impact but also for its insight into how language and music intersect to reveal a character's inner life.

Why we love this

This arrangement gives choral ensembles access to one of the film's most intimate moments without requiring a solo star to carry the weight. Ed Lojeski's voicing opens the piece to ensemble participation while preserving the tenderness that makes the original so affecting. It's a sophisticated choice for programs seeking emotional depth without theatrical spectacle.

What to expect

Intimate and reflective, like stepping into a private moment of grace. The music holds space for tenderness and wonder, capturing the disorienting joy of discovering love for the first time. It settles rather than soars, finding power in restraint and vulnerability.

Who it's for

Choirs of intermediate to advanced ability who want to explore character-driven repertoire beyond traditional concert fare. This works equally well for show choirs, concert choirs, and chamber ensembles seeking meaningful material that engages audiences with familiar material from a beloved film.

How to get the most out of it

  • Balance the vocal line with accompaniment so the text remains clear; this is a confessional moment, not a belt.
  • Shape phrases toward the emotional climaxes rather than beat-driven cadences. The phrasing should breathe like sung speech.
  • Coordinate dynamics carefully across the choir sections to maintain ensemble cohesion while the harmony shifts subtly beneath the melody.
  • Allow the recorded accompaniment space to breathe; resist rushing through pauses that give singers time to connect with the lyrical content.

How to use it

Pair this with other character-driven theater selections to create a thematic set about transformation and redemption. It works beautifully as a concert opener or closer, setting a contemplative tone without requiring staging. Consider placing it late in a program where the audience has built connection to your ensemble's musicianship.

Skills your students will build

  • Balancing solo melody against harmonic support
  • Sustaining long phrases with proper breath management
  • Bringing diction clarity to emotionally introspective text
  • Responding to subtle dynamic shifts that shape meaning
  • Coordinating ensemble blend while maintaining individual line independence

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