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Styres' Rally: String Orchestra Conductor Score & Parts

$55.00 USD
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Styres' Rally Cover Image

Styres' Rally: String Orchestra Conductor Score & Parts

By Alexander Safford

Grade: 5

Item: 98-ST6105

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Description
Styres' Rally is fun and challenging for he entire orchestra. With driving rhythms, double-stops, and ensemble solos, this work incorporates spirited aspects of fiddle and blues music. Both styles are fused together for an exciting, rapidly paced work.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Styres' Rally: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398220137
SKU: 98-ST6105

More about this title

Why we love this

Safford captures the raw energy of fiddle music without sacrificing orchestral sophistication. The double-stops and ensemble solos create natural opportunities for your strongest players to shine while keeping the full group engaged throughout, making this an ideal choice for orchestras that want to stretch beyond classical idioms without losing musical rigor.

What to expect

Raw and spirited, with the unpredictable energy of a barn dance colliding with the structured swing of blues. The rapidly paced rhythmic drive never lets up, and the interplay between fiddle figures and blues-inflected harmony creates a sense of forward momentum that feels almost celebratory.

Who it's for

String orchestras at the intermediate-advanced level (Grade 5) who are ready to tackle non-traditional idioms and want repertoire that excites audiences beyond the classical canon. This piece works equally well for orchestras preparing for festival or contest settings.

How to get the most out of it

  • Anchor the driving rhythms with a clear, consistent pulse from the bass section; these propel the entire piece forward, so lock in the cello and bass parts before layering in the upper voices.
  • Lean into the fiddle character by encouraging slight rhythmic looseness and articulation variation where the style naturally calls for it, particularly in the ensemble solos.
  • Balance the double-stops so they read clearly as harmonic color, not as muddiness; work with your upper strings on voicing and pressure to keep both notes speaking.
  • Mark the transition points between fiddle and blues influences so players hear the stylistic shift and can adjust their tone and phrasing accordingly.

How to use it

Program this on a concert celebrating American roots music, or use it as a curtain-raiser to energize an audience before moving into heavier classical works. It's also an excellent contest or festival selection that demonstrates your orchestra's versatility and technical command.

Skills your students will build

  • Double-stop intonation and articulation across the string section
  • Reading and executing fiddle-style rhythmic figures and bowing patterns
  • Balancing ensemble solos with full-orchestra textures
  • Maintaining rhythmic precision while performing in a folk-inflected style
  • Blending fiddle and blues idioms within a single harmonic framework

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