Stumptown Stomp: Score
By Steve Hodges
Grade: 1.5 (Easy)
Item: 00-PR-0006083
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Stumptown Stomp: Score comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Steve Hodges

Steve Hodges holds degrees from Western Oregon University (Bachelor of Science) and Central Washington University (Master of Music Education). Over four decades as a public school music director, he led bands, choirs, and chamber ensembles at all levels before retiring from full-time teaching.
Since 1986, Hodges has composed more than 120 concert band works published by Alfred Music, along with choral arrangements released through Staff Music and Shawnee Press. His pieces have been performed internationally at festivals and state conventions, commissioned by honor bands and schools across Virginia, Iowa, British Columbia, Oregon, Washington, and North Carolina. His music has also appeared on TBS and ESPN programming. A member of ASCAP, Hodges now lives in The Dalles, Oregon, where he remains active in community music and enjoys hearing his grandchildren perform his compositions in their school bands.
Why we love this
Hodges writes accessible concert music that keeps young ensembles engaged without sacrificing musicality. The shared theme and woodwind "fiddle" writing here create natural moments for different sections to shine, which builds confidence and ownership across the full band.
What to expect
Stumptown Stomp radiates straightforward fun. The melody bounces with infectious rhythm, and the woodwind "fiddle" writing creates a playful, folk-inspired character that invites the band to smile while they play. It's the kind of piece where good ensemble sound emerges naturally from rhythmic precision and shared joy.
Who it's for
Beginning and early intermediate concert bands (Grade 1.5 ensembles) looking for engaging repertoire that distributes musical responsibility across the ensemble. This piece works for groups preparing festival programs, school concerts, or building musicianship through collaborative scoring.
How to get the most out of it
- Bring out the contrast between sections when the theme rotates. Mark in your score which instruments carry the melody at each entrance so players listen for their cue and understand the piece's architecture.
- Let the woodwinds lean into the fiddle character with bright articulation and a touch of swagger. This isn't strictly classical playing, and students often thrive when given permission to play with character.
- Establish a solid tempo before rehearsal starts and anchor it through a few full-section run-throughs. The toe-tapping rhythm will feel natural once the band locks in together.
How to use it
Open a concert with this piece to establish an upbeat mood and signal to the audience that high school band can be entertaining. It pairs well with a contrasting lyrical work on the same program, giving students the full range of concert band color in one performance.
Skills your students will build
- Thematic awareness and listening for melody as it passes between sections
- Rhythmic precision and alignment across parts
- Stylistic contrast (folk character versus classical articulation)
- Section balancing and dynamic control
- Reading and responding to conductor cues during sectional entries