Stronger: SATB Choral Octavo

Brymer's arrangement captures the driving energy of the source material while giving each voice part something compelling to sing. The writing sits comfortably in the middle range for SATB voices, which means your singers can focus on the emotional delivery rather than struggling with extreme tessituras or awkward intervals.

Uplifting and energetic, with the kind of melodic accessibility that lets audiences connect immediately while the harmonies add depth and polish. The arrangement carries momentum throughout, maintaining the emotional intensity that makes the song resonate.

High school and early college choirs seeking contemporary material that works for mixed voices without requiring soloists or unusual staging. This piece works equally well for groups building confidence with current pop and Broadway repertoire and ensembles looking to expand beyond classical or a cappella repertoire.

• Establish a strong tempo early in rehearsals and lock it in with the rhythm section or accompaniment; this piece thrives on forward momentum, and any hesitation will flatten its impact.
• Balance the alto line carefully during tutti sections, as contemporary vocal writing often doubles the melody in the soprano and can obscure the inner harmony if sopranos aren't listening beneath their own part.
• Layer in dynamics gradually during the build sections; start conservatively in early rehearsals and add intensity only once the voice parts are secure and well-blended.

Pair this with other contemporary choral settings to create a showcase concert celebrating modern songs, or place it strategically in a spring concert as a high-energy moment that shifts the emotional tone. The piece also works well as a season closer or finale, where its propulsive energy can send audiences out engaged and moving.

• Singing contemporary harmonic language with accurate intervals and blend
• Maintaining rhythmic precision in driving accompaniment styles
• Balancing soprano melody line with inner harmony awareness
• Performing with stylistic energy and emotional conviction in non-classical repertoire