String Quartet No. 13 / Maranoa Lillaby Cover Image

String Quartet No. 13 / Maranoa Lillaby: String Quartet Score

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String Quartet No. 13 / Maranoa Lillaby Cover Image

String Quartet No. 13 / Maranoa Lillaby: String Quartet Score

By Peter Sculthorpe

Item: 12-0571519202

$18.99
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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51920-2
ISBN13: 978-0-571-51920-0
UPC: 9780571519200
SKU: 12-0571519202

More about this title

About the Composer: Peter Sculthorpe

Peter Sculthorpe (1929–2014) was an Australian composer whose work drew deeply from the landscapes, indigenous cultures, and musical traditions of his homeland. His chamber music combines Western classical forms with pentatonic and modal harmonic language influenced by Aboriginal music, creating a distinctive voice that bridges cultural traditions without appropriation.

Why we love this

Sculthorpe's late string quartets inhabit a rarified space between modernist rigor and lyrical accessibility. The Maranoa Lullaby movement offers string quartets repertoire that sounds completely contemporary while remaining deeply musical and performable at a high chamber level.

What to expect

A lullaby suspended in vast space. The music unfolds with the unhurried clarity of a landscape viewed at dawn, where familiar melodic shapes dissolve into open sonorities and gentle modal shifts. There is nothing rushed or restless here; instead, a profound quietude punctuated by moments of luminous clarity.

Who it's for

This quartet suits ensembles with solid intonation, secure musicianship, and comfort with post-tonal language. It works equally well for advanced high school quartets preparing for chamber competitions and for collegiate and professional ensembles expanding their contemporary Australian repertoire.

How to get the most out of it

  • Attend carefully to the modal harmonic language; resist the impulse to impose traditional major-minor tonality. Let the pentatonic inflections shape your intonation and color choices.
  • Balance transparency in the texture against the work's meditative character. Sculthorpe writes economically; every note has weight.
  • Investigate the relationship between the four voices as a dialogue rather than as a unified harmonic block. Individual lines carry distinct personalities.

How to use it

Program this as a centerpiece on a concert devoted to contemporary chamber music, or pair it with other Australian works to showcase regional voices. Its meditative quality makes it an ideal closing piece or a thoughtful contrast to heavier 20th-century repertoire earlier on the bill.

Skills your students will build

  • Intonation and resonance in modal and pentatonic harmonic contexts
  • Ensemble balance and transparency in economical textures
  • Interpretive choices for music without traditional cadential landmarks
  • Listening across four independent lines while maintaining cohesion

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