String Quartet in C Minor Cover Image

String Quartet in C Minor: String Quartet Score

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String Quartet in C Minor Cover Image

String Quartet in C Minor: String Quartet Score

By Ralph Vaughan Williams

Item: 12-0571520855

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Description
Quartet in C is in four movements with a total duration of about 25 minutes. The opening Allegro is Dvorák-ish in its lyricism, though there is a darker, more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino, played by the viola, but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo, a song-like episode containing some of the most virtuosic writing in the work.
The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th century elegance. Modality creeps into the second Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness.
This String Quartet was his first major composition of any kind.

Titles: Allegro * Andantino * Intermezzo * Variazione con finale fugato

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Additional Details
Series: Faber Edition
Publisher: Faber Music
Page Count: 44
ISBN10: 0-571-52085-5
ISBN13: 978-0-571-52085-5
UPC: 9780571520855
SKU: 12-0571520855

More about this title

About the Composer: Ralph Vaughan Williams

Ralph Vaughan Williams (1872-1958) was an English composer whose music drew deeply from English folk traditions while embracing modern compositional techniques. He studied composition with Hubert Parry and Charles Stanford at the Royal College of Music, and later with Maurice Ravel in Paris, absorbing influences that shaped a distinctly personal voice. His early career included collecting and arranging English folk songs, work that profoundly influenced his compositional language and gave his music a sense of national identity without resorting to obvious quotation.

Vaughan Williams composed across nearly every genre: symphonies, concertos, operas, choral works, and chamber music. His string quartets, written across different periods of his life, reveal an evolving composer grappling with tonality, form, and expressive content. This first quartet stands as a landmark in his development, demonstrating both his craftsmanship and his ability to balance accessibility with genuine musical substance.

Why we love this

String quartet programs at this level often rely on well-worn Romantic favorites. This quartet offers something rarer: a 20th-century work with genuine lyrical warmth and formal clarity that rewards both players and listeners. The finale's architecture (theme and variations leading to a fugal coda) gives each player a moment to shine while maintaining coherent musical discourse throughout.

What to expect

The work unfolds with a sense of intimate introspection, moving from the lyrical opening through passages of genuine melancholy and wistful beauty. A playful, virtuosic episode arrives in the third movement before the finale strips away ornament, presenting a stately theme that generates rhythmic energy and contrapuntal rigor as variations accumulate, culminating in a fugal resolution that feels both classical and modern.

Who it's for

Advanced amateur and professional string quartet ensembles seeking substantial 20th-century repertoire that moves beyond the most frequently programmed works. This quartet suits groups comfortable with chromatic harmony, modal passages, and fugal counterpoint, yet wanting music grounded in lyrical melody and clear formal architecture.

How to get the most out of it

  • The opening Allegro's Dvorák-ish lyricism sits best when the first violin sings the line without rushing; let the darker atmosphere settle in the closing measures rather than pushing tempo forward
  • In the Andantino, the viola's folk-inflected theme needs careful balance from the surrounding instruments so its wistful character emerges clearly
  • The Intermezzo's virtuosic passages require secure rhythmic coordination among all four players; mark your cues precisely and resist the urge to let excitement accelerate the tempo
  • Approach the variations theme as a ballad, clearly shaped and unhurried; each variation that follows will then register as a distinct character rather than mere technical display

How to use it

This quartet pairs naturally with earlier string quartet masterworks in a thematic concert exploring 20th-century approaches to the form, or stands alone as a centerpiece for a quartet recital focused on English music. Its roughly 25-minute duration and concise, purposeful architecture make it ideal for chamber music festivals or competitions.

Skills your students will build

  • Balancing lyricism with structural clarity across four distinct movements
  • Playing modal inflections and chromatic harmony in upper voices while maintaining tonal orientation
  • Executing contrapuntal writing and fugal entries with independence and precision
  • Managing the virtuosic technical demands of the Intermezzo while serving the overall musical narrative
  • Coordinating rhythmic variations and metric transitions in the theme-and-variations finale

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