String Orchestra Accompaniments to Solos from Volumes 1 & 2 Cover Image

String Orchestra Accompaniments to Solos from Volumes 1 & 2: Violin 2 Book

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String Orchestra Accompaniments to Solos from Volumes 1 & 2 Cover Image

String Orchestra Accompaniments to Solos from Volumes 1 & 2: Violin 2 Book

Arr. Paul Schwartz, sel. and ed. John Kendall

Item: 00-0320

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Description
These orchestra accompaniment pieces are arranged by Mr. Paul Schwartz and selected and edited by Mr. John Kendall. The pieces are selected from Suzuki Violin School, Volumes 1 and 2. Solo parts are to be played by a group of children, and it is suggested that when a large number of children are playing the solo part, the piano accompaniment be doubled with the orchestra so that extra support is provided. These arrangements are written at junior high school orchestra level.

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Additional Details
Publisher: Alfred Music
Page Count: 12
ISBN10: 0-87487-320-7
ISBN13: 978-0-87487-320-7
UPC: 029156220643
SKU: 00-0320
Instrumentation: Violin 2

More about this title

Why we love this

These arrangements solve a real logistical challenge: turning solo repertoire into ensemble experiences without abandoning the integrity of the original pieces. Schwartz's orchestrations sit comfortably at junior high level, which means your second violins aren't sidelined with busywork while soloists carry the musical weight. When you have multiple students performing the same Suzuki piece, layering the orchestra underneath creates texture and support that motivates solo players to listen beyond themselves.

What to expect

Intimate yet communal. These arrangements honor the charm and simplicity of early Suzuki repertoire while wrapping it in warm harmonic support. Your second violinists get to participate meaningfully in familiar territory, building their sectional identity without requiring advanced musicianship.

Who it's for

Junior high school orchestra directors working with Suzuki violin students who are ready to perform from Volumes 1 and 2 in ensemble contexts. This book is essential if you're managing group recitals or concert programs where multiple young violinists are playing the same repertoire.

How to get the most out of it

  • Balance the solo line carefully when multiple children play together; the orchestra provides harmonic foundation but should never overshadow the primary melody.
  • If doubling with piano accompaniment as suggested, rehearse the string section independently first so they understand their role as harmonic support rather than competition.
  • Tune the second violin part deliberately before bringing in the full section; this level of orchestration depends on clean vertical sonority to work effectively.

How to use it

Feature these arrangements in informal recitals, family concerts, or ensemble showcases where Suzuki students are performing together. They work particularly well for end-of-year programs where you want to celebrate group progress alongside individual student achievement, creating a bridge between solo study and ensemble playing.

Skills your students will build

  • Following a melodic line while maintaining harmonic awareness
  • Blending and balancing within a section accompanying soloists
  • Reading and interpreting second violin parts in simple harmonic textures
  • Listening to and supporting multiple students performing the same solo line

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