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String Me Along: String Orchestra Conductor Score & Parts

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String Me Along Cover Image

String Me Along: String Orchestra Conductor Score & Parts

By Erik Morales

Grade: 3.5

Item: 98-ST6330

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Description
Embark on an exciting adventure in jazz with this fantastic swing chart for strings and drum set. Incredible harmonies will make you feel like you are listening to a modern jazz orchestra as the music moves through shout choruses, break strains, and more. No solos in this one - just fantastic ensemble writing from the first note to the last!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, String Me Along: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398231805
SKU: 98-ST6330

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales began composing professionally in 1985 when his high school band director commissioned him to arrange music for the marching ensemble in south Florida. He earned his bachelor's degree from the University of Louisiana, Lafayette (1989) and studied composition at Florida International University, establishing a foundation that would shape his prolific career across multiple genres.

Since 2002, Morales has published over 150 works spanning wind, orchestral, jazz, and chamber settings, with performances and commissions from schools and organizations nationwide. His trumpet writing has earned particular recognition, including first place awards at the 2006 and 2008 National Trumpet Competitions and premieres at major International Trumpet Guild conferences. In 2016, he was inducted into the Louisiana Association for Jazz Education's Hall of Fame. Throughout his career, Morales has consistently prioritized the balance between artistic merit and educational accessibility.

Why we love this

Morales delivers pure ensemble writing here, which means your orchestra stays engaged throughout without managing soloists or uneven participation. The swing vocabulary and shout chorus writing give your strings a genuine taste of jazz ensemble sophistication at a grade level where that's still relatively rare, making this both musically rewarding and genuinely fun to play.

What to expect

Like listening to a modern jazz orchestra reimagined for strings. The piece swings with clear shout chorus energy and structural breaks that keep momentum alive, all wrapped in harmonies that feel contemporary but accessible.

Who it's for

String orchestras at the high school level or advanced middle school programs ready to explore jazz ensemble writing without soloists. Directors seeking contest or festival material that combines contemporary style with accessible ensemble technique.

How to get the most out of it

  • Balance the jazz articulations carefully in the ensemble sections. Strings playing with that swing feel need crisp attacks on the eighth notes without sounding percussive; listen for lightness and bounce rather than weight.
  • Lock the rhythmic pocket with your drum set player early in rehearsal. The shout choruses and break strains depend on tight coordination between the rhythmic foundation and the string rhythms.
  • Shape the harmonic movement through subtle dynamic shaping rather than broad crescendos. Morales's contemporary jazz harmonies shine when voicings breathe and colors shift organically.

How to use it

Program this alongside classical string repertoire to show the range and versatility of your ensemble, especially at a concert or festival where you want to demonstrate both traditional and contemporary musicality. The novelty and light concert classification make it ideal for spring concerts or pops-style programming.

Skills your students will build

  • Jazz articulation and swing eighth-note phrasing
  • Playing with a drum set rhythm section and listening to the groove
  • Reading and performing shout chorus and break strain structures
  • Balancing ensemble harmony in contemporary jazz voicings
  • Ensemble cohesion without relying on solo features

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