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String Masters, Book 2: Piano Accompaniment: String Duo & Ensemble, Collections, Pno

$7.95 USD
$7.95 USD
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String Masters, Book 2: Piano Accompaniment Cover Image
String Masters, Book 2: Piano Accompaniment: String Duo & Ensemble, Collections, Pno

String Masters, Book 2: Piano Accompaniment: String Duo & Ensemble, Collections, Pno

By Edmund M. Goehring

Grade: 2

Item: 36-10370133
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Description
The String Master collections are easy to intermediate, harmonized collections of classical themes and popular tunes for young string orchestras. They are presented in such a way as to be playable with any combination of strings (as the piano accompaniment can be used to fill in any missing parts, or to strengthen weak sections), with a variety of difficulty levels available in the violin parts, thus enhancing the value of this collection. The compositions in this volume have been selected for their programmatic and educational as well as developmental values. The material has also been compiled with the viewpoint of keeping it interesting from the melodic, rhythmic and harmonic outlook, and to instill well-balanced musicianship. Suitable for trios, quartets, and string orchestras. Included in Book 2: 1. Theme from "Symphonic Poem (Liszt); 2. German Dance (Schubert); 3. Shepherd's Dance (Schubert); 4. Theme from "Ruy Blas" Overture (Mendelssohn); 5. Gavotte (Rameau); 6. Two Irish Melodies (traditional, Balfe); 7. Gavotte (Boyce); 8. Minuetto (Handel); 9. Country Dance (Gretry); 10. Minuet from "The Sorcerer" (Sullivan); 11. Suite in Three Movements (Rebikov); 12. Italian Caprice (excerpt; Tchaikovsky); 13. Old English Air (anonymous); 14. Hymn Tune (Gottschalk); 15. Slavic Dances (Dobles); 16. Masters Suite (Mozart, Brahms, Gluck).

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Additional Details
Series: LudwigMasters String Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-892709-62-3
ISBN13: 979-8-892709-62-0
UPC: 659859346311
SKU: 36-10370133
Instrumentation: Flexible String Ensemble: Piano Accompaniment

More about this title

Why we love this

This collection solves a real problem for pianists supporting flexible string ensembles: you get 16 carefully chosen works that span from early Baroque through the Romantic era, all arranged so the piano part genuinely strengthens whatever string combination shows up on any given rehearsal day. Goehring's selections prioritize pieces with strong melodic lines and transparent harmonic writing, which means your accompaniment stays musical even when it's filling in missing parts rather than simply doubling.

What to expect

A tour through beloved classical masterworks that feel effortless and elegant. The selections move between intimate, lyrical moments (German Dance, Shepherd's Dance, Old English Air) and more spirited character pieces (Country Dance, Minuet from The Sorcerer), creating natural variety for both players and listeners.

Who it's for

Piano accompanists working with school or community string programs where full orchestration is inconsistent. The collection serves pianists who need practical, musically rewarding material for rehearsals and performances where the string section ranges from a duo to a full ensemble.

How to get the most out of it

  • Balance your voicing so the string melody emerges clearly; resist the urge to play full chord blocks when the ensemble is sparse. Light, transparent textures invite the strings to sing rather than compete with them.
  • Listen constantly for which string parts are present at any moment. Your flexibility with dynamics and texture directly supports the ensemble's confidence, especially in rehearsals where attendance varies.
  • Follow the string section's phrasing and breathing patterns rather than imposing your own. This collection works because the piano adapts to the strings, not the reverse.

How to use it

Build a concert around this collection as your primary string repertoire for the semester, rotating selections based on your current ensemble size and the musical themes you want to explore. The mix of dances, minuets, and lyrical pieces works well for spring performances or chamber music showcases where flexibility is an asset rather than a limitation.

Skills your students will build

  • Maintaining steady accompaniment while adapting texture and voicing to changing ensemble configurations
  • Listening for string section balance and adjusting dynamic support accordingly
  • Recognizing Baroque and early Romantic compositional styles through performance
  • Collaborating responsively as an accompanist rather than as a soloist
  • Managing harmonic clarity with transparent voice leading

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