Strike Up the Band! Sheet Music Preview

Strike Up the Band!: SATB Choral Octavo

Music and lyrics by George Gershwin and Ira Gershwin / arr. Mark Hayes

Item: 00-PO-0006595

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Description
The fabulous Mark Hayes arrangement is all-American, all the way! Opens with a martial verse, which sets the drums rolling and the trumpets sounding. Concert band-style SoundPax available separately, or use the SoundTrax CD. Hooray!

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0006595

More about this title

About the Composer: George Gershwin

George Gershwin (1898, 1937) bridged classical composition and American popular music with an ease that few composers have matched. His works for stage and concert hall drew directly from jazz idioms, blues inflections, and the rhythmic vitality of urban America, making concert music feel genuinely contemporary to audiences of his time.

Gershwin's gift for melody and his understanding of how to write for voices and instruments with equal sophistication made him an essential figure in American musical theater. For educators, his catalog offers rich material that engages students with genuine American vernacular while maintaining serious musical craft.

Why we love this

Mark Hayes understands how to preserve Gershwin's essential character while making the arrangement sit comfortably in a choral context. The martial opening immediately signals to an audience that this is no ordinary show tune, and the orchestration cues built into the vocal score give singers a clear sense of the full ensemble sound, even when accompanied by a CD or digital backing track.

What to expect

Patriotic pride meets vaudeville shimmer. The martial opening immediately conjures flags and parades, but there's sophistication underneath, a sense of musical wit and style that keeps the piece from becoming purely sentimental. It's music that makes singers feel confident and audiences feel lifted.

Who it's for

High school and college choirs looking for a piece with genuine theatrical impact and American spirit. This works especially well for groups that enjoy popular music but want something more musically substantial than typical pop arrangements.

How to get the most out of it

  • Shape the martial opening with crisp articulation in the rhythm section (bass, drums) to establish the military swagger before the voices enter. The recorded accompaniment locks this immediately, so match its precision.
  • Balance the trumpet fanfare cues in the arrangement against your soprano line. These aren't meant to compete; they're meant to frame and support the vocal melody.
  • Track the dynamic arc through the verses and chorus separately. Hayes layers the arrangement carefully, and each section needs its own breath and energy, not just a single forte throughout.
  • Treat the ending with particular care. The final statement needs weight and forward motion; resist the temptation to slow or swell at the very end, which would undercut the driving spirit of the piece.

How to use it

Program this as a closing number or finale to a concert that mixes musical theater with classical works. Its energy and optimism make it an ideal bridge between a more introspective first half and a celebratory conclusion. It also works beautifully on patriotic or Americana-themed concerts, where its musical substance distinguishes it from other flag-waving options.

Skills your students will build

  • Rhythmic precision in syncopated passages and march-style accompaniment patterns
  • Balancing vocal melody against prominent instrumental cues and accompanying lines
  • Phrasing American popular song idiom with legit choral technique
  • Ensemble cohesion across SATB voicing in a densely orchestrated arrangement

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