Strictly Strings, Book 1 Cover Image

Strictly Strings, Book 1: Bass Book

$7.99 USD
Sale price  $7.99 USD Regular price 
Skip to product information
Strictly Strings, Book 1 Cover Image

Strictly Strings, Book 1: Bass Book

A Comprehensive String Method

By Jacquelyn Dillon, James Kjelland, and John O'Reilly

Item: 00-5296

$7.99
Shipped

One moment…

Description
An easy-to-teach, straight forward string method from three renowned pedagogues. A unique letter-note style of music notation is utilized which ensures a smooth transition from rote to note reading. Students are quickly introduced to ensemble playing and play a wide variety of fun-to play melodies, keys and modes. Strictly Strings features a carefully prepared lesson sequence which develops all players' abilities equally.

Strictly Strings, Book 1: Bass Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Strictly Strings
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-88284-533-0
ISBN13: 978-0-88284-533-3
UPC: 038081012827
SKU: 00-5296
Instrumentation: Bass

More about this title

About the Author: Jacquelyn Dillon

Jacquelyn Dillon

Jacquelyn Dillon has shaped string education across North America through three decades of teaching, conducting, and advocacy. She founded thriving orchestra programs in Derby, Kansas and Norman, Oklahoma; later brought her expertise to universities and school systems in Louisiana and New York; and now serves as professor of string music education and conductor of the chamber orchestra at Wichita State University. Her leadership extends nationally as president of the American String Teachers Association and chair of the MENC Committee for String & Orchestra Education. She has presented clinics and guest-conducted at nearly 1,000 professional appearances, including the Midwest Band and Orchestra Clinic, state conferences in 46 states, and regional all-state orchestras.

Dillon's experience as a classroom teacher, university instructor, and consultant to school administrators gave her the insight to develop Strictly Strings. Recognizing that young string players need a method that bridges rote learning to note reading while building ensemble musicianship from day one, she collaborated with co-authors to create an approach that balances technique development with the joy of playing together. Her work has earned recognition as an authority in group string pedagogy, and she has taught graduate-level string pedagogy courses at more than 50 universities.

Why we love this

The letter-note system removes the barrier between rote playing and standard notation, letting bass players focus on ensemble sound and musical phrasing instead of wrestling with reading. Young students hear themselves as part of the orchestra within the first lessons rather than spending months on isolated exercises, and the carefully sequenced material ensures every player advances at a realistic pace.

What to expect

Approachable and encouraging from the first page. Students encounter familiar melodies and recognizable tune shapes before grappling with the complexity of staff notation, so learning feels like progress rather than struggle. The ensemble context means bass players hear their voice contributing to a richer sound almost immediately, building ownership and motivation.

Who it's for

Beginning string bass students in their first year of study, whether in school orchestras or private lessons. Teachers who value a method that introduces ensemble playing immediately and support students in making a smooth transition from pattern-based to standard notation reading.

How to get the most out of it

  • Spend time on the letter-note passages before introducing standard notation; this builds confidence and allows students to internalize pulse and phrasing without cognitive overload.
  • Use the ensemble melodies to establish a consistent bow sound across the section; ask students to listen for balance between their own voice and the other string parts.
  • Emphasize the variety of keys and modes as opportunities to hear how character changes across musical settings; don't treat them as obstacles but as discovery.
  • Keep the lesson sequence intact rather than jumping ahead; the graduated difficulty reflects how bass technique and reading develop together in realistic stages.

How to use it

Deploy this as the foundation method for your beginning bass students in grades 4-6, working through it across the full school year to establish solid ensemble habits alongside basic technique. The progression works well if you combine it with sectional rehearsals where bass players tackle the material together, then bring those songs into full orchestra rehearsals to hear how their part anchors the ensemble.

Skills your students will build

  • Transitioning from rote playing to letter-note reading to standard staff notation
  • Playing in ensemble from the first lessons
  • Recognizing and responding to shifts in key and mode
  • Developing consistent bow control and tone production
  • Reading and interpreting rhythm in various time signatures
  • Listening and blending with other string voices

You May Also Like