Street Tango: Concert Band Conductor Score & Parts
By Astor Piazzolla / Arranged by Robert Longfield
Grade: 4
Item: 35-PK00409413
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Street Tango - Conductor Score (Full Score) | $10.00 | |
| Street Tango - Flute | $6.00 | |
| Street Tango - Oboe | $6.00 | |
| Street Tango - Bassoon | $6.00 | |
| Street Tango - Bb Clarinet 1 | $6.00 | |
| Street Tango - Bb Clarinet 2 | $6.00 | |
| Street Tango - Bb Clarinet 3 | $6.00 | |
| Street Tango - Bb Bass Clarinet | $6.00 | |
| Street Tango - Eb Alto Saxophone 1 | $6.00 | |
| Street Tango - Eb Alto Saxophone 2 | $6.00 | |
| Street Tango - Bb Tenor Saxophone | $6.00 | |
| Street Tango - Eb Baritone Saxophone | $6.00 | |
| Street Tango - Bb Trumpet 1 | $6.00 | |
| Street Tango - Bb Trumpet 2 | $6.00 | |
| Street Tango - Bb Trumpet 3 | $6.00 | |
| Street Tango - F Horn 1 | $6.00 | |
| Street Tango - F Horn 2 | $6.00 | |
| Street Tango - Trombone 1 | $6.00 | |
| Street Tango - Trombone 2 | $6.00 | |
| Street Tango - Baritone B.C. | $6.00 | |
| Street Tango - Baritone T.C. | $6.00 | |
| Street Tango - Tuba | $6.00 | |
| Street Tango - String Bass | $6.00 | |
| Street Tango - Percussion 1 | $6.00 | |
| Street Tango - Percussion 2 | $6.00 | |
| Street Tango - Percussion 3 | $6.00 | |
| Street Tango - Timpani | $6.00 |
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Description
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More about this title
About the Composer: Astor Piazzolla
Astor Piazzolla (1921-1992) was an Argentine composer and bandoneon master who fundamentally transformed tango from a popular dance music into a concert art form. Born in Mar del Plata and trained in classical composition, Piazzolla rejected the notion that tango belonged only in nightclubs; he grafted jazz harmonies, dissonance, and modernist techniques onto the genre's deeply embedded rhythmic and melodic DNA, creating what he called "nuevo tango."
For music educators, Piazzolla represents a crucial historical figure who bridges popular and classical music, showing students that genre boundaries are permeable and that innovation often comes from respectful rule-breaking. His works have become standard repertoire in concert halls worldwide, proving that street music, when channeled through a composer's vision, can achieve lasting artistic weight.
Why we love this
Longfield's adaptation captures what makes Piazzolla essential for concert bands: the rhythmic propulsion of tango married to sophisticated harmonic language that keeps advanced ensembles engaged. The piece moves between driving, syncopated sections and moments of contemplative melancholy, giving your band genuine musical contrast without requiring virtuosic soloists to carry the weight. It's the kind of work that audiences recognize immediately as something special, yet your musicians will discover new details in each rehearsal.
What to expect
Street Tango evokes the atmosphere of a Buenos Aires street corner at dusk, where passion and sophistication collide. The music pulses with rhythmic vitality while maintaining an almost introspective quality, as though the composer is inviting you into a private conversation about longing, defiance, and beauty.
Who it's for
Grade 4 bands with solid rhythmic precision and the ability to balance lyrical phrasing with dance-like energy. This works well for ensembles that have moved beyond purely traditional concert fare and are ready to explore how jazz and popular music can coexist with classical concert writing.
How to get the most out of it
- Emphasize the dance-like pulse of the tango rhythm without letting it become heavy or mechanical; the best performances have a slight swagger, almost as though the band is moving to something felt rather than metronomic.
- Balance the melody lines across sections so that the theme passes fluidly from woodwinds to brass to lower voices; pay attention to Piazzolla's textural shifts as compositional statements, not as accidents of orchestration.
- Approach the dissonant harmonies and unexpected chord changes with confidence rather than timidity; these moments create the tension that gives Street Tango its modern edge.
How to use it
This piece works beautifully as a concert closer or a centerpiece that separates contrasting works; its four-and-a-half minute length fits naturally between a shorter overture and a longer traditional band work. Consider programming it alongside Latin American repertoire or in a concert theme exploring how classical composers have engaged with popular music idioms.
Skills your students will build
- Maintaining steady tango rhythm while executing dynamic phrasing and textural color changes
- Reading and executing dissonant harmony within a rhythmic context
- Voice leading across sections to highlight Piazzolla's melodic shifts and orchestration choices
- Balancing syncopation with precision (avoiding a rushed or sloppy feel)
- Interpreting stylistic nuance in a work that blends popular and concert music traditions