Strauss: Concerto No. 1 in E flat Major, Op. 11: French Horn Part(s)
By Richard Strauss
Item: 00-PK-0003423
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Description
Expertly arranged French Horn Solo by Richard Strauss from the Kalmus Edition series. This is from the 20th Century and Romantic eras.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Strauss: Concerto No. 1 in E flat Major, Op. 11: French Horn Part(s) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
32
SKU:
00-PK-0003423
More about this title
About the Composer: Richard Strauss
Richard Strauss (1864-1949) shaped the trajectory of late Romantic and early 20th-century orchestral music through his bold harmonic language and virtuosic orchestration. A master conductor as well as composer, he wrote extensively for brass instruments and understood the horn's capabilities at the highest level, composing four horn concertos that remain cornerstones of the solo repertoire.
Why we love this
Strauss's First Horn Concerto demands musical maturity and technical command while remaining deeply rewarding to perform. The piece balances lyrical, soaring passages with brilliant passagework that showcases the full range of the instrument, making it an ideal choice for advanced players preparing for college auditions or competition circuits.
What to expect
The concerto opens with nobility and warmth, inviting the listener into Strauss's Romantic harmonic world. The writing alternates between intimate, singing passages that call for legit tone and brilliant, technically demanding sections that showcase virtuosity, creating a satisfying arc from lyrical beauty to triumphant display.
Who it's for
This concerto suits hornists at the advanced amateur or pre-professional level who have strong command of intonation, range, and endurance. It is ideal for students preparing for all-state auditions, conservatory applications, or solo competition festivals.
How to get the most out of it
- Shape the long melodic lines with consistent air support and subtle dynamic shaping; Strauss expects the horn to sing through dense orchestral textures.
- Navigate the rapid scalar passages with clarity and evenness, prioritizing rhythmic precision over speed.
- Balance the high register passages carefully, especially in the exposed sections where the horn takes the lead; maintain a warm tone even in the upper range.
- Mark your entrance points precisely and listen actively to the accompaniment to lock in ensemble timing, particularly in transitions between movements.
How to use it
Feature this as a solo concerto on a recital or student showcase concert, pairing it with works from different eras to demonstrate stylistic range. It also works well as a centerpiece for a concert focused on 20th-century brass repertoire or Romantic-era masterworks.
Skills your students will build
- Sustaining long, shaped melodic lines with consistent intonation across the full range
- Executing rapid scalar passagework with rhythmic precision and clarity
- Managing the high register with control and tonal warmth
- Balancing solo and ensemble roles in concert settings
- Reading and interpreting Romantic-era expressive markings and phrasing conventions