Stompin' At The Savoy Sheet Music Preview

Stompin' At The Savoy: Ukulele

As performed by Benny Goodman

Item: 35-DS00310197

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00310197

More about this title

About the Artist: Benny Goodman

Benny Goodman revolutionized American music by bringing jazz into concert halls and breaking racial barriers in ensembles during the 1930s and 1940s. His clarinet playing and bandleading defined the swing era, and his compositions and arrangements remain central to jazz education and performance.

Goodman's gift was making complex jazz language accessible without diluting its artistry. "Stompin' At The Savoy" exemplifies this balance: a tune that swings hard but stays memorable, structured clearly enough for musicians of all levels to find their footing.

Why we love this

This tune sits at the sweet spot where jazz authenticity meets genuine playability on ukulele. The melody has immediate character without requiring superhuman technical chops, and the harmonic language introduces students to swing vocabulary in a song they can actually master and enjoy performing.

What to expect

Propulsive and celebratory, with a undercurrent of sophistication. The tune bounces and grooves while maintaining an almost strutting confidence; playing it should feel like you're moving through a room with real purpose and joy.

Who it's for

Ukulele students ready to move beyond pop and folk strumming into jazz standards will find this accessible and genuinely rewarding. Intermediate players looking to expand their repertoire and understand swing idioms will benefit from working through the changes and phrasing.

How to get the most out of it

  • Keep the rhythm section locked in steady swing eighth notes; the pocket matters more than speed here.
  • Shape the melody phrases with slight pushes and pulls to emphasize the syncopation rather than playing it metronomically.
  • Let the ukulele's natural brightness come through in the higher register passages; resist the urge to muffle the tone.
  • Reference the original recording to internalize the phrasing and breath points, even though you're playing an instrument Goodman never touched.

How to use it

Pair this with other swing-era standards to build a cohesive set that showcases how jazz language evolved. It works equally well as a solo feature or as part of a small combo arrangement alongside horns or piano, giving students experience beyond the ukulele.

Skills your students will build

  • Reading and executing swing rhythms and syncopation
  • Navigating jazz chord changes and understanding voice leading
  • Phrasing and articulation specific to jazz interpretation
  • Developing appropriate tone and dynamics for a classic jazz standard

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