Stitches (arr. Jacob Narverud): SAB Choral Octavo

Narverud's arrangement captures the song's emotional core while remaining eminently singable for a three-part mixed ensemble. The SAB voicing opens this modern pop ballad to choirs that might otherwise feel limited by SATB-only repertoire, and the 15-page scope suggests careful harmonic development rather than a stripped-down version.

The piece carries the introspection and vulnerability of the original, with harmonic warmth that feels earned rather than saccharine. Singers experience the satisfaction of shaping a modern song with ensemble precision, moving through moments of gentle vulnerability to moments of fuller expression.

Choirs looking to include contemporary pop repertoire without compromising vocal musicianship. This works especially well for groups transitioning singers from two-part to three-part voicing, or for programs seeking material that engages younger singers and audiences alike.

• Pay attention to the dynamics marked in the arrangement; pop ballads live or die by their phrasing, and Narverud's marks will guide you toward the emotional shape the song demands.
• Balance the Altos carefully so they anchor the harmonic progression without overshadowing the Sopranos' melody line, especially in moments where they carry the lead.
• Use the recorded accompaniment as a rehearsal tool early on, but spend time singing against piano or click alone so singers internalize the harmonic movement rather than relying solely on instrumental support.

Position this in a concert that blends classical or jazz selections with contemporary works, letting it anchor a pop or film music segment. Its moderate length makes it ideal for mid-concert placement where you want to shift mood and energy without losing audience engagement.

• Phrasing and breath placement in contemporary music contexts
• Voice leading within three-part SAB texture
• Emotional delivery while maintaining technical control
• Ensemble balance between melody and harmonic accompaniment