Still The One (arr. Deke Sharon Scott Harris): TTBB Choral Octavo

Deke Sharon and Scott Harris have unlocked the conversational warmth of this classic without sacrificing its melodic integrity. The flexible voicing options (TB/TTB/TBB/TTBB) mean you can program it with nearly any combination of singers, and the barbershop-inflected harmonic language gives singers genuine storytelling moments within a pop context.

This arrangement radiates genuine affection. The harmonies feel like a group of friends singing together rather than a formal choral statement, and the barbershop coloring adds warmth and humor without winking at the audience. It's the kind of piece that makes singers smile during rehearsal and audiences lean in to listen.

Choirs seeking accessible pop material that still demands musicianship and allows for expressive interpretation. The flexible voicing makes it workable for developing and advanced ensembles alike, whether you're building a secular concert or adding variety to a mixed repertoire season.

• Shape the melody as a duet between top voices; this pushes the tender lyrical content forward even when fuller harmonies enter.
• Balance the lower voices so they anchor the harmony without overshadowing the text clarity in the upper parts.
• Lean into the rhythmic swing that barbershop styling brings; it should feel conversational and slightly laid back, not metronomic.

Build an entire set around songs about lasting relationships, pairing this with other classics from different eras. It also works as a moment of levity and humanity in a more formal concert, showing your singers' range and ability to inhabit contemporary material with the same care they bring to classical repertoire.

• Balancing parts in close harmony with clear text projection
• Interpreting barbershop-influenced harmonic movement within a pop idiom
• Ensemble communication through conversational phrasing and rubato
• Voice leading across flexible voicing configurations