Still the First Noel: String Orchestra Conductor Score & Parts
Arr. John O'Reilly
Grade: 2
Item: 00-PK-0001755
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| Product | Price | Quantity |
|---|---|---|
| Still the First Noel: Score | $6.00 | |
| Still the First Noel: 1st Violin | $5.99 | |
| Still the First Noel: 2nd Violin | $5.99 | |
| Still the First Noel: 3rd Violin (Viola [TC]) | $5.99 | |
| Still the First Noel: Viola | $5.99 | |
| Still the First Noel: Cello | $5.99 | |
| Still the First Noel: String Bass | $5.99 | |
| Still the First Noel: Piano Accompaniment | $5.99 |
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Description
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About the Arranger: John O'Reilly
John O'Reilly has been a fixture in string education for decades, known for his work with the Strictly Strings series and his deep understanding of how young players develop technical and musical literacy. His arrangements balance accessibility with musical substance, allowing students to engage with familiar repertoire while building foundational skills.
O'Reilly's approach prioritizes clarity and ear training through thoughtful voicing and scoring decisions. His contributions to Highland/Etling publications have shaped how countless orchestras introduce students to arranging and ensemble balance.
Why we love this
This arrangement solves a real programming challenge: it gives young orchestras two complete pieces that integrate seamlessly into the Strictly Strings curriculum while delivering genuine musical sophistication. The decision to present both melodies separately before weaving them together creates a natural arc that keeps students engaged and rewards careful listening.
What to expect
Warm and reflective, with the familiar comfort of two beloved carols presented in a way that feels fresh rather than simplified. The combination of melodies creates a gentle complexity that engages the ear without taxing young fingers.
Who it's for
String orchestras working at Grade 2 level who are ready to explore layered melodic textures and balance without technical overwhelm. Directors teaching from Strictly Strings Book 1 will find this a natural stepping stone that extends what students have already learned.
How to get the most out of it
- Balance the melody and harmonic accompaniment by having violas and lower strings support without drowning out the primary line; this requires attentive section rehearsal and ear training early in preparation.
- Let the legato phrasing breathe at phrase endings rather than clipping notes short; young players often rush through transitions, so mark breath points clearly in parts.
- Emphasize uniform bow stroke and consistent vibrato (or lack thereof, depending on your program level) across each section to blend voices when melodies shift between instruments.
How to use it
Program this in the second half of a holiday concert after students have warmed up, or use it as a bridge piece between a more spirited opening selection and a closing finale. It pairs well with other Grade 2 repertoire and gives students a concrete model of how arrangers combine multiple themes into a unified piece.
Skills your students will build
- Balance between melodic and harmonic voices in four-part writing
- Sustained legato phrasing across phrase boundaries
- Reading and executing simple thematic material presented in different instrumental combinations
- Listening skills through tracking melody across sections