Still, Still, Still: 3-Part Mixed Choral Octavo
Austrian Carol / translation and arr. Ruth Elaine Schram
Item: 00-PO-0005274
$2.25
Minimum order quantity: 20 copies
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Description
Ruth Elaine Schram has completed her set of voicings of this stunning Christmas song with this lush SATB version. The musical elements of harmony, melody, and dynamics are brought together in absolute simplicity in the calm, slow-tempo arrangement of this popular piece.
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Additional Details
Series:
Alfred Archive Edition: Studio PR Catalog
Publisher:
Alfred Music
Page Count:
8
SKU:
00-PO-0005274
More about this title
About the Arranger: Ruth Elaine Schram
Ruth Elaine Schram is a prolific arranger and composer whose choral writing spans sacred music, secular songs, and holiday repertoire. Her work is distinguished by accessibility without sacrificing musical depth; she has a gift for crafting arrangements that sound elegant in performance while remaining teachable for ensembles of varying experience levels. Schram's arrangements have become standards in choral programs across the United States, earning recognition for their practical musicianship and emotional clarity.
Schram's approach to arrangement prioritizes the emotional core of each piece. Whether working with a hymn tune, a folk melody, or a beloved holiday song, she strips away unnecessary complexity and lets the strength of the melody and harmonic support speak directly to singers and listeners alike. Her catalog demonstrates deep understanding of how different voicing configurations and orchestration choices serve the music's purpose.
Why we love this
Schram's SAB voicing gives directors a genuinely musical option for mixed choirs with limited alto or tenor resources. The arrangement respects the simplicity that makes this carol timeless while adding harmonic warmth that transforms a traditional tune into something worth rehearsing deeply. The slow tempo and clean part-writing make this a natural fit for holiday programs where you need music that sounds polished without demanding months of preparation.
What to expect
The piece unfolds with unhurried peace. The slow tempo allows singers to inhabit each phrase, and Schram's harmony feels inevitable rather than showy, creating space for reverence without sentimentality. There's genuine lushness here, but it arrives through simplicity of means rather than complexity.
Who it's for
This arrangement serves mixed choirs with limited tenor sections or directors looking for a straightforward holiday option that doesn't require specialized voice leading. It works equally well for high school and community choirs seeking repertoire that sounds mature without unnecessary technical demands.
How to get the most out of it
- Shape the phrase endings with gentle dynamic releases rather than hard cutoffs; the arrangement's calm character depends on unhurried, connected singing.
- Let the second sopranos find their independence early in rehearsal. They're essential to the harmonic texture, and confident alto singers will anchor the middle voices.
- Balance the three parts by ear rather than by dynamic marking. The melody should sing through, but the harmony parts are thick enough to support without oversinging.
How to use it
Place this early or as a centerpiece in a holiday concert where you want the audience to settle into a reflective mood. It pairs naturally with more spirited carols and makes an effective companion to other sacred Christmas repertoire. The eight-page length and moderate difficulty mean you can program it confidently even with limited rehearsal time.
Skills your students will build
- Balancing melody and harmony parts in slow tempos
- Phrase shaping with dynamic control and release
- Blend and intonation in three-part mixed voicing
- Awareness of text expression in sacred holiday music