Stick Dance for Eight Heads Cover Image

Stick Dance for Eight Heads: Percussion Ensemble Score & Parts

$14.00 USD
Sale price  $14.00 USD Regular price 
Skip to product information
Stick Dance for Eight Heads Cover Image

Stick Dance for Eight Heads: Percussion Ensemble Score & Parts

For 2 Players

By Jeff Smallman

Level: Medium

Item: 81-PE971

$14.00
Shipped

One moment…

Description
Stick Dance is reminiscent of Canaries, a solo work for 4 timpani composed by Eliott Carter. Like Canaries, this piece is an example of metric modulation, changing tempo using the rhythms present. Unlike Canaries, this work is written for 2 sets of drums: 4 timpani, and 4 tom-toms. The composer chose to use tom-toms due to their percussive tone which offsets the resonance of the timpani. Full of energy and rhythmic drive, Stick Dance for Eight Heads is a great piece for showing off 2 good percussionists.

Stick Dance for Eight Heads: Percussion Ensemble Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-981-5
ISBN13: 978-1-55472-981-4
UPC: 685462007141
SKU: 81-PE971

More about this title

Why we love this

Smallman gives you a sophisticated rhythmic workout that doesn't require four separate soloists. Two strong percussionists can carry this piece and genuinely shine, which makes casting far more practical than pieces that demand a full section. The metric modulation concept is genuine and audible, not theoretical, so your ensemble learns by ear how tempo can shift through rhythmic proportions.

What to expect

Energetic, propulsive, and intellectually engaging. The interplay between the resonant timpani and the sharp attack of tom-toms creates textural variety within a driving rhythmic framework, keeping the listener engaged throughout.

Who it's for

Directors with two confident percussionists who understand rhythmic independence and can handle metric modulation with precision. This piece rewards players who can keep their internal pulse steady while the overall tempo shifts around them.

How to get the most out of it

  • Establish the relationship between tom-tom and timpani lines before rehearsal; the contrast matters musically and helps each player hear their role within the texture.
  • Work the metric modulation passages slowly at first, locking the rhythmic proportions before bringing up tempo.
  • Balance the articulation between the two sets so the tom-toms punch through without overwhelming the timpani's resonance.
  • Mark exact mallet choices in the parts if the composer hasn't specified; consistency across multiple run-throughs builds security in the rhythmic drive.

How to use it

Pair this with other metric modulation or contemporary percussion works to build a thematic set, or use it as a showstopper midprogram when you want to highlight advanced rhythmic writing and soloistic percussion. It works especially well when you've built ensemble rhythm skills earlier in the concert.

Skills your students will build

  • Metric modulation and tempo changes driven by rhythmic proportion
  • Coordination and independence between two separate drum sets
  • Timbral balance and voicing in multi-percussion ensemble writing
  • Maintaining pulse integrity through complex rhythmic figures

You May Also Like