Stevie In The 60's: 3-Part Mixed Choral Octavo
Stevie In The 60's Sheet Music Preview

Stevie In The 60's: 3-Part Mixed Choral Octavo

As performed by Stevie Wonder / Arranged by Mark Brymer

Item: 35-DS00399408
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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00399408

More about this title

About the Artist: Stevie Wonder

Stevie Wonder emerged as a defining voice of soul and pop music in the 1960s, a decade that showcased his extraordinary range as a vocalist, instrumentalist, and songwriter. Born Stevland Morris, he achieved stardom as a child prodigy on the harmonica and keyboards, later developing into one of the most influential artists of his generation. His work during this era established the harmonic sophistication, rhythmic innovation, and emotional depth that would influence decades of popular music.

Why we love this

Mark Brymer's three-part mixed voicing captures the warmth and groove of Stevie Wonder's 1960s catalog without demanding the range or technical fireworks that student choirs often struggle with. The arrangement honors the originals' soul DNA while creating genuine parts that keep all singers engaged and singing musically meaningful lines. This is the kind of repertoire that makes students want to rehearse because they recognize the songs and feel the infectious energy.

What to expect

Groovy and warm. These arrangements breathe with the ease and confidence of 1960s soul music, inviting singers into a sound world where the harmony is rich, the rhythm is compelling, and the emotional stakes feel genuine. The three-part texture creates space for voices to blend while maintaining clarity and presence.

Who it's for

Mixed choirs looking to program repertoire that resonates with students and audiences alike. This works for ensembles that want to venture into pop and soul without abandoning vocal sophistication or part independence.

How to get the most out of it

  • Shape the melodic lines with the legit phrasing these songs deserve; avoid straight, mechanical approaches even in uptempo material.
  • Lock the rhythm section (bass and any percussion) into a pocket that locks with the harmonic movement rather than just marking time.
  • Balance the parts so the middle voices don't disappear; many arrangements of pop material leave altos and tenors fighting for space.
  • Lean into the soulful quality by encouraging singers to feel the harmonic tensions, particularly in passages where chords move slowly beneath the melody.

How to use it

Consider this for a pops or contemporary music concert where you want to celebrate American songwriting beyond the classical canon. It pairs beautifully with other soul and pop repertoire from the era, or stands alone as a crowd-pleasing set that bridges generations in the audience.

Skills your students will build

  • Soul and pop phrasing conventions
  • Ensemble blend in three-part mixed voicing
  • Understanding of harmonic movement in popular song structures
  • Rhythmic confidence within groove-based accompaniment
  • Maintaining tuning through extended chord progressions

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