Step by Step 2A: An Introduction to Successful Practice for Violin: Violin
Arr. Kerstin Wartberg
Item: 00-PB-0001800
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About the Arranger: Kerstin Wartberg
Kerstin Wartberg is a string pedagogue and arranger deeply rooted in the Suzuki method. Her work centers on translating foundational technique into accessible, musically engaging material that meets young learners where they are. Through thoughtful arrangements and exercise design, she bridges the gap between pure technical work and the joy of making music.
Why we love this
The Step by Step series cuts through the noise of beginner violin pedagogy by grounding every exercise in real musicality and parent involvement. Wartberg's piano accompaniments (newly arranged by David Andruss for this edition) turn practice sessions into genuine musical experiences rather than isolated drills. For teachers managing mixed-level groups or private studios, this condensed format delivers the pedagogical substance without overwhelming reference material.
What to expect
These exercises breathe with musical purpose. Rather than sterile technical patterns, Wartberg's arrangements create actual musical contexts for every exercise, inviting young players to experience the satisfying connection between correct technique and beautiful sound. The multilingual format opens doors to families from varied backgrounds, making technique instruction feel inclusive rather than prescriptive.
Who it's for
Early beginner violinists (around Suzuki Volume 2 level) in both private lessons and group settings. Teachers who value the Mother-Tongue approach but need a streamlined, exercise-focused resource will find this condensed version efficient without sacrificing pedagogical depth. Parents seeking guidance on how to structure and support daily practice will appreciate the clear, actionable suggestions throughout.
How to get the most out of it
- Establish a consistent daily listening routine before students even touch the violin; the Mother-Tongue approach depends on this foundation as much as bow hold does.
- Involve parents explicitly in practice sessions by sharing the included tips and explaining the singing and dancing activities; their engagement directly shapes practice quality.
- Use the recordings to model tone quality and articulation, then have students shadow the accompaniment before playing independently.
- Build in singing and movement breaks throughout each practice session to reinforce pitch memory and prevent fatigue in young players.
How to use it
Adopt this as your foundational technique resource during the first year of group violin instruction, pairing it with your Suzuki repertoire or traditional method. The condensed format works particularly well for teachers managing multiple private students who need a standardized practice framework. Parents often respond well to having a concrete, short reference guide that explains the why behind each exercise.
Skills your students will build
- Proper bow hold and basic bow control
- Left hand position and finger placement on the fingerboard
- Pitch memory through listening and singing before playing
- Consistent practice routine design and self-discipline
- Simple rhythmic patterns and note reading in first position
- Tone production and sustaining notes with control