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Steampunk: Jazz Ensemble Conductor Score & Parts

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Steampunk: Jazz Ensemble Conductor Score & Parts

By Erik Morales

Grade: 3.5 (Medium)

Item: 00-45078

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Description
Heavy metal big band! Guitar is the featured solo instrument in this very cool chart so if you, the band, and your drummer dig a rock vehicle to wake everyone up---"Steampunk" by Erik Morales is it. Lead trumpet range only to written G on top of the staff. A suggested written guitar solo is provided if needed. Totally exciting and a great tune for guitar and big band! (5:43)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Steampunk: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 102
UPC: 038081519388
SKU: 00-45078

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales was born in New York City in 1966 and has spent his career building a catalog of over 150 published works across classical, jazz, commercial, and educational genres. His compositions span wind, orchestral, jazz, and chamber ensembles and have been performed internationally. Morales studied composition at Florida International University and earned his bachelor's degree from the University of Louisiana, Lafayette in 1989, launching his professional composing career shortly after high school when a former band director commissioned him to arrange music for marching band.

As a trumpeter himself, Morales has made significant contributions to the trumpet repertoire. His trumpet ensemble works have won first place at the National Trumpet Competitions in 2006 and 2008, and his Concerto for Trumpet in C and Piano premiered at the 2009 International Trumpet Guild conference. In 2012, a consortium commissioned his Concerto for Two Trumpets, which debuted at the 2013 ITG conference in Grand Rapids. Inducted into the Louisiana Association for Jazz Education's Hall of Fame in 2016, Morales balances artistic merit with educational accessibility across all his work.

Why we love this

Morales designs this chart around the guitar as the star soloist, which gives your ensemble a completely different energy from standard big band fare. The rock-inflected heavy metal approach combined with disciplined big band voicing means your players get to dig into contemporary language while staying grounded in jazz fundamentals. The lead trumpet sits comfortably only to written G, leaving room for technical control rather than range gymnastics, and the optional written guitar solo makes this accessible whether your soloist prefers a composed framework or improvisation.

What to expect

Heavy metal meets big band swinging. The chart bristles with aggressive harmonic language and driving rhythmic propulsion, but maintains the sophistication of voiced sections and ensemble interplay. When the guitar solos, the whole group locks into a groove that feels modern, edgy, and absolutely alive.

Who it's for

Jazz ensembles at the intermediate level looking for a high-energy vehicle that engages both advanced soloists and developing players. This works especially well if you have a solid electric guitarist who can command the band's attention and a section that thrives on contemporary rock and metal influences applied to big band structure.

How to get the most out of it

  • Lock the rhythm section (piano, bass, drums) into a tight, driving pocket before rehearsing the full ensemble. This tune's power comes from relentless groove.
  • Balance the guitar solo so it sits on top of the band without the ensemble drowning it out. Consider pulling back the brass during the featured section.
  • Nail the articulation and dynamics marked for the ensemble figures. The contrast between punchy stabs and longer phrases creates the rock attitude that makes this chart work.
  • Communicate with your drummer about the tempo's steadiness throughout the 5:43 length. Any wavering in the groove will undermine the piece's momentum.

How to use it

Program this as a festival or contest highlight. Its contemporary sound and kinetic energy make it an excellent closer or a bold statement of your ensemble's range in a mixed program of traditional and modern jazz repertoire. The 5:43 length also allows it to anchor a full concert without excessive runtime commitment.

Skills your students will build

  • Navigating heavy rock and metal-influenced harmony within big band voicings
  • Maintaining steady groove under syncopated ensemble figures
  • Supporting and balancing a featured soloist while sustaining ensemble ensemble precision
  • Reading and executing contemporary articulation markings (stabs, accents, dynamic shaping)
  • Playing with stylistic authenticity across electric and acoustic instruments in the same ensemble

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