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Stasis: String Orchestra Conductor Score

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Stasis: String Orchestra Conductor Score

By Shirl Jae Atwell

Grade: 3.5

Item: 36-52255238

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361186-8
ISBN13: 978-1-63-361186-3
UPC: 660355128264
SKU: 36-52255238
Instrumentation: String Orchestra

More about this title

About the Composer: Shirl Jae Atwell

Shirl Jae Atwell

Shirl Jae Atwell studied composition at the University of Louisville, where she earned her Master of Music Theory/Composition degree, and later completed four years of advanced composition study at the University of South Carolina. Her catalog spans multiple genres: she won the 1984 Clifford Shaw Memorial Award for Kentucky Composers, composed the opera Sagegrass (which debuted in New York City that same year), and created the ballet Lucy, which premiered with the Louisville Ballet in 1999 and won an Emmy Award for its televised production in 2000.

Atwell has earned particular recognition for her string orchestra writing. Her composition Modus á Four won the 1996 National School Orchestra Association composition contest, while Drifen claimed the 1997 Texas Orchestra Directors Association award. Works including Handelian and Movements Four South have been premiered by school and university orchestras, and six of her scores were selected for the permanent collection of the Paris Bibliothèque Internationale de Musique Contemporaine. Her music reflects a composer deeply invested in creating repertoire that speaks to student ensembles.

Why we love this

Atwell's string writing sits comfortably at Grade 3.5, offering genuine musical substance without technical compromise. The piece balances accessibility with artistic depth, giving student players something genuinely rewarding to interpret rather than simply execute.

What to expect

Stasis creates a contemplative musical landscape that rewards patient listening. The piece draws its power from textural clarity and harmonic patience rather than virtuosity, creating space for both players and listeners to sink into its unfolding.

Who it's for

String orchestra conductors working with high school and advanced middle school ensembles. Atwell's score serves directors seeking Grade 3.5 repertoire that avoids genre clichés while remaining technically achievable and musically substantive.

How to get the most out of it

  • Establish a clear sense of pulse and forward motion early in rehearsal. This title suggests a meditative quality, but static tempos can flatten the musical line.
  • Shape individual string sections as though they're singing lines. Stasis benefits from attention to phrase arcing and breath, even in an instrumental context.
  • Balance the sections carefully. At this grade level, violas and cellos often need encouragement to project their harmonic foundation.
  • Mark bowings and fingerings collaboratively with your string leaders during sectionals. Student ownership of these details strengthens ensemble cohesion.

How to use it

Program this as a standalone work on a concert emphasizing compositional craft and varied string textures, or pair it with contrasting energy on the same program. The meditative character works particularly well in a concert that moves from active repertoire into reflective material, creating a satisfying arc for the listener.

Skills your students will build

  • Sustaining focus across longer note values and slower harmonic rhythms
  • Blending and balancing string sections in exposed ensemble textures
  • Shaping melodic lines with careful attention to phrase contour
  • Responding to conductor interpretation of tempo and rubato in contemporary composition

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