Starting Here, Starting Now: SAB Choral Octavo

John Leavitt's arrangement transforms this Broadway gem into a piece that speaks directly to the graduation moment without veering into sentimentality. The piano becomes an integral voice rather than mere accompaniment, creating textural interest that keeps the ear engaged across multiple performances. You'll find this works equally well in a concert hall or jazz club setting, giving your choir genuine programming flexibility.

This song carries the warmth of a genuine moment between two people. The arrangement honors the intimacy of the melody while the piano's partnership with the voices creates sophistication that prevents the piece from ever feeling lightweight or overly sentimental. There's an inherent optimism here that makes it resonate during transitions and new beginnings.

Directors programming end-of-year or graduation concerts will find this piece speaks to the moment without requiring advanced vocal technique. It suits choirs ranging from high school concert ensembles to adult community groups, and works equally well in traditional, jazz, or pop choir contexts. The manageable eight-page score and accessible voicing make it realistic for groups with mixed ability levels.

• Balance the voices so the piano's independent lines remain audible; this arrangement rewards listeners who hear all three layers working together.
• Let the text drive your phrasing rather than forcing a strict tempo. The emotional arc of a love song needs room to breathe.
• If using the recorded accompaniment, rehearse with it early and often so singers internalize the harmonic movement and feel secure with the arrangement's rhythmic subtleties.
• In SAB voicing, the alto line carries significant melodic material. Make sure altos understand their musical importance and project accordingly.

This is a natural closer for graduation or spring concert programming, particularly if you want a piece that acknowledges the emotional weight of transition without dwelling in sadness. Consider pairing it with a more energetic selection earlier in the concert to create dynamic contrast. Its moderate length and emotional directness also make it an excellent choice for community engagement events where accessible, high-quality choral music matters.

• Balancing three-part harmony with piano accompaniment
• Singing lyrical lines with clear text projection
• Maintaining steady pulse within a rubato-friendly arrangement
• Reading and interpreting Broadway-influenced harmonic language