Stardust (arr. Russell Robinson) Sheet Music Preview

Stardust (arr. Russell Robinson): SATB Choral Octavo

By Hoagy Carmichael / Arranged by Russell Robinson

Item: 35-DS01804276

Digital Download
$2.50
Description

Stardust (arr. Russell Robinson): SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS01804276

More about this title

About the Composer: Hoagy Carmichael

Hoagy Carmichael (1899-1981) was one of America's most prolific and gifted songwriters, creating melodies that bridged classical sensibility with popular appeal. His catalog includes some of the twentieth century's most enduring standards, songs that have been recorded hundreds of times across every imaginable genre and style.

Carmichael's gift was his ability to write memorable, singable lines that sit naturally in the voice while maintaining harmonic sophistication. For choral educators, his work offers students the chance to engage with jazz-era songwriting that demands musicality and phrasing without requiring virtuosic technique.

Why we love this

Russell Robinson's arrangement captures the nostalgic warmth of this standard while keeping the voicing accessible for mixed groups. The jazz harmonies reward good intonation and blend without becoming technically demanding, making it ideal for singers who are developing their ear for chromaticism and extended chords.

What to expect

Stardust unfolds like a late-night reverie, all silvered moonlight and bittersweet reflection. Robinson's voicing leans into the jazzy warmth of the harmony while maintaining the song's essential intimacy. Singers will find themselves naturally leaning into the lyricism, drawing out the minor-key poignance that makes this ballad timelessly beautiful.

Who it's for

This arrangement works well for mixed choirs with some singing experience but without advanced sight-reading requirements. It's equally suited to high school show choirs, college non-major ensembles, and community groups looking to add a sophisticated popular standard to their repertoire.

How to get the most out of it

  • Shape the phrases generously. This is a torch song at heart; let the lines breathe and avoid clipped diction that would steal the lyrical quality.
  • Balance the accompaniment texture against the vocal line. Jazz chords can easily overshadow singers if the pianist or accompanist isn't thinking about transparency.
  • Pay attention to the swing feel if the arrangement calls for it. Even straight eighths should have a legit quality that sits comfortably in a jazz idiom rather than feeling rigid.
  • Use strategic breath marks to preserve long lines without forcing singers to gasp mid-phrase. Carmichael's melodies want to soar.

How to use it

Include this on a concert exploring American songwriting standards, or pair it with other Carmichael songs for a deep dive into his catalog. It also anchors a pops or jazz-focused concert as a lyrical anchor between more uptempo selections.

Skills your students will build

  • Singing jazz harmonies and chromaticism with accurate intonation
  • Phrasing in a legit, non-operatic style appropriate to the idiom
  • Balancing ensemble blend with clear diction in a popular music context
  • Responding to swing feel and jazz rhythmic interpretation
  • Sustaining line shape and emotional expression over longer phrases

You May Also Like