Starcraft II: Legacy of the Void: Concert Band Conductor Score & Parts
Featuring: The Stars Our Home / The Fall of Sakuras / Honor Guides Me / My Life for Aiur
By Jason Hayes and Mike Patti / arr. Michael Story
Grade: 2.5 (Easy to Medium Easy)
Item: 00-PK-0007312
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Starcraft II: Legacy of the Void: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Jason Hayes
Jason Hayes has composed the iconic musical scores for the Starcraft franchise since its 1998 debut, establishing himself as a master of orchestral writing for interactive media. His work across the Starcraft series demonstrates a gift for creating memorable, emotionally resonant themes that capture the epic scope and dramatic tension of real-time strategy gameplay. Hayes' compositions have been recognized across the gaming industry for their sophistication and their ability to elevate narrative moments through music.
Mike Patti co-composed music for Starcraft II: Legacy of the Void alongside Hayes, contributing to the rich musical landscape that defines the game's three playable factions. Together, their work on the Starcraft II soundtrack created some of gaming's most recognizable and thematically complex compositions.
Why we love this
Michael Story's arrangement distills the most iconic themes from Legacy of the Void into a cohesive medley that plays beautifully at this accessible grade level without sacrificing the dramatic weight of the original music. A 2.5 arrangement that actually respects the source material and gives student musicians genuinely interesting writing is rare. Your students will recognize these themes immediately, which means they'll bring their full attention and enthusiasm to learning them.
What to expect
Heroic and cinematic, with stark stylistic contrasts that reflect the three factions of the game. The music moves between moments of grandeur and intimacy, maintaining the intensity and scope of the original soundtrack while remaining transparent and playable for developing musicians.
Who it's for
Concert bands at the middle school and early high school levels will find this piece both accessible and musically rewarding. Any band looking to program music with immediate student engagement and recognizable cultural relevance will find a strong fit here.
How to get the most out of it
- Balance the transitions between themes carefully; each section occupies distinct musical territory (terran, protoss, zerg), and clean handoffs between styles will make the medley's architecture clear to the audience.
- Shape the melody lines with attention to the original game context; these themes carried emotional weight in cinematic moments, and your phrasing should honor that dramatic purpose.
- Use the full instrumentation to create vivid contrast between sections; the arranger has distributed material thoughtfully across the band, so let each theme's orchestration shine without over-blending.
- Keep ensemble precision tight during the through-composed passages where themes overlap or interweave; the medley structure depends on rhythmic clarity.
How to use it
Program this as a standout feature in a pop or film music concert, or use it as a engaging centerpiece in a spring concert where you want to showcase your students' ability to handle contemporary, recognizable material with musicality. The four-and-a-half-minute length makes it a natural anchor piece without dominating the program.
Skills your students will build
- Transitioning smoothly between contrasting musical styles and textures
- Balancing melodic clarity with ensemble blend across multiple themes
- Responding to stylistic cues that reflect different musical cultures within the game world
- Sustaining focus and energy through a through-composed medley structure
- Reading and executing the full score as a cohesive unit despite sectional variety