Star Of Bethlehem Sheet Music Preview

Star Of Bethlehem: SATB Choral Octavo

As performed by Amy Grant / As performed by John Williams / Arranged by Dennis Allen

Item: 35-DS00263210

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00263210

More about this title

About the Artist: Amy Grant

Amy Grant stands as one of the most significant voices in contemporary Christian music, with a career spanning decades of genre-crossing artistry. Her gift for melodic clarity and emotional directness has made her songs accessible to both faith-based and secular audiences, earning her multiple Grammy Awards and a devoted following across generations.

Why we love this

Grant's compositions have a gift for universality. This arrangement by Dennis Allen captures the contemplative warmth that made the original resonate widely, giving your choir a piece that works beautifully in holiday programs without requiring religious belief from your audience to land emotionally.

What to expect

Serene and reflective, with an underlying sense of wonder. The piece settles into warm harmonies that feel both intimate and expansive, inviting the listener into quiet contemplation rather than demanding grandeur.

Who it's for

Choirs looking for a Christmas selection with genuine emotional depth and accessibility. This works equally well for high school and community choirs, and arrangers specifically sought a piece that bridges sacred and secular holiday programming.

How to get the most out of it

  • Balance the soprano line generously in the opening phrases; it carries the melodic heart, and clarity here will anchor the entire arrangement.
  • Shape the dynamic arc gradually rather than in sudden blocks. This piece rewards sustained crescendos that build across entire sections.
  • Pay attention to the text placement and how it affects phrasing. Grant's lyrics often sit naturally across bar lines, so follow the language cadence as much as the music.
  • Encourage blend in block homophonic sections while maintaining distinction between voice parts where the texture opens up.

How to use it

Place this midway through a holiday concert as a gentle change of pace from more energetic selections. It pairs naturally with other contemporary arrangements and works particularly well as a bridge between secular and sacred portions of a mixed program.

Skills your students will build

  • Sustaining legit lines across longer phrases in block harmony
  • Dynamic control through gradual changes rather than sudden shifts
  • Blend and balance within SATB texture
  • Text clarity in contemporary melodic writing

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